Vol. 11 No. 1-2 (2015)

Itineraries of Musical Manuscripts and Prints in Modern Europe

Edited by Metoda Kokole and Michael Talbot

Published: 2015-10-02

Foreword

Metoda Kokole

7-10
- PDF (Slovenščina)
- PDF

Manuscript, Print and the Market for Music in Early Modern Europe

Iain Fenlon

11-22
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Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music

Paweł Gancarczyk

23-40
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Between Prague and Pirna: A Story from the Beginning of the Thirty Years’ War

Jan Baťa

41-50
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Routes to the Düben Collection: The Acquisition of Music by Gustav Düben and his Sons

Lars Berglund

51-66
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“Gallus apud Belgas:” The Douai Moralia (1603) Reconsidered

Marc Desmet

67-86
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The Reception of the Motet Elisabeth Zachariae by Jacobus Handl-Gallus in the Sixteenth and Seventeenth Centuries

Marko Motnik

87-106
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Two Unknown Cases of Printed Incidental Music in the Sixteenth- and Seventeenth-Century Italian Theatre

Ivano Cavallini

107-124
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A Busy Copyist and a Shy Composer: Two Sides of Francesco Barsanti (ca. 1690–1775)

Michael Talbot

125-146
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Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia

Tomasz Jeż

147-162
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In Search of the Operatic Archives of Giuseppe Bustelli

Marc Niubo

163-174
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Copying Strategies in the Manuscript Dissemination of Luigi Boccherini’s Trios Opus 1

Rudolf Rasch

175-195
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Imported Music Scores in the Possession of the Gozze Family in Dubrovnik

Vjera Katalinić

197-209
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From Graz to Ljubljana? Towards Discovery of the Origin of the Hren Choirbooks

Klemen Grabnar

211-227
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P. Mauritius Pöhm and his Contribution to Musical Life in Novo mesto During the Second Half of the Eighteenth Century

Radovan Škrjanc

229-254
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Following the Trail of Musical Manuscripts and Prints

Darja Koter

255-263
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Tracing the Origins of Early Symphonic Repertoire in the Slovenian Lands

Vesna Venišnik

265-277
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The Journeys of Violin Handbooks to the Slovenian Lands and their Interactions in the Eighteenth Century

Maruša Zupančič

279-299
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Vol. 11 No. 1-2 (2015)

Foreword

Manuscript, Print and the Market for Music in Early Modern Europe

Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music

Between Prague and Pirna: A Story from the Beginning of the Thirty Years’ War

Routes to the Düben Collection: The Acquisition of Music by Gustav Düben and his Sons

“Gallus apud Belgas:” The Douai Moralia (1603) Reconsidered

The Reception of the Motet Elisabeth Zachariae by Jacobus Handl-Gallus in the Sixteenth and Seventeenth Centuries

Two Unknown Cases of Printed Incidental Music in the Sixteenth- and Seventeenth-Century Italian Theatre

A Busy Copyist and a Shy Composer: Two Sides of Francesco Barsanti (ca. 1690–1775)

Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia

In Search of the Operatic Archives of Giuseppe Bustelli

Copying Strategies in the Manuscript Dissemination of Luigi Boccherini’s Trios Opus 1

Imported Music Scores in the Possession of the Gozze Family in Dubrovnik

From Graz to Ljubljana? Towards Discovery of the Origin of the Hren Choirbooks

P. Mauritius Pöhm and his Contribution to Musical Life in Novo mesto During the Second Half of the Eighteenth Century

Following the Trail of Musical Manuscripts and Prints

Tracing the Origins of Early Symphonic Repertoire in the Slovenian Lands

The Journeys of Violin Handbooks to the Slovenian Lands and their Interactions in the Eighteenth Century

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