Marljivi prepisovalec in skromni skladatelj: dva obraza Francesca Barsantija (ok. 1690–1775)

Michael Talbot

DOI: https://doi.org/10.3986/dmd11.1-2.08

Povzetek

Francesco Barsanti, italijanski glasbeni imigrant v Britaniji, je za dodatni zaslužek ob igranju v orkestru in učenju delal tudi kot glasbeni kopist. Medtem ko je bila njegova inštrumentalna glasba natisnjena, so njegova vokalna dela večinoma ostala razpršena v rokopisih, pogosto brez navedbe avtorja, med deli drugih skladateljev, katerih dela je prepisoval.

Ključne besede

Francesco Barsanti; glasbeni kopist; glasba v Britaniji; vokalna glasba

Celotno besedilo:

PDF (English)

Literatura

Aguilar, Emanuel. The Ancient Melodies of the Liturgy of the Spanish and Portuguese Jews Preceded by an Historical Essay of the Poets, Poetry and Melodies of the Sephardic Liturgy by the Rev. D. A. De Sola. London: Wessel, 1857.

[Baretti, Giuseppe]. The Voice of Discord, or the Battle of the Fiddles: A History of a Seditious and Unnatural Attempt on the Lives and Properties of Fifty Singers and Fiddlers. London: Owen and Snelling, 1753.

Beeks, Graydon. “Making a Living in the Pit: The Career of Thomas Rawlings.” Händel-Jahrbuch 49 (2003): 223–238.

Bini, Annalisa. Il fondo Mario nella Biblioteca musicale di Santa Cecilia di Roma: catalogo di manoscritti. Rome: Edizioni Torre d’Orfeo, 1995.

Burney, Charles. The Present State of Music in France and Italy, or, The Journal of a Tour through Those Countries, Undertaken to Collect Materials for a General History of Music. London: Becket, 1771.

Burrows, Donald, and Martha J. Ronish. A Catalogue of Handel’s Musical Autographs. Oxford: Clarendon Press, 1994.

Cameron, Jasmin, and Michael Talbot. “A Many-Sided Musician: The Life of Francesco Barsanti (c. 1690–1775) Revisited.” Recercare 25, nos. 1–2 (2013): 95–154.

Fenlon, Iain. Catalogue of the Music and Musical Manuscripts before 1801 in the Music Library of the University of Birmingham Barber Institute of Fine Arts. London: Mansell, 1976.

Goodwill, Helen. The Musical Involvement of the Landed Classes in Eastern Scotland, 1685–1760. PhD diss., University of Edinburgh, 2000.

Halton, Rosalind, and Michael Talbot. “‘Choice Things of Value’: The Mysterious Genesis and Character of the VI Concertos in Seven Parts Attributed to Alessandro Scarlatti.” Eighteenth-Century Music 12 (2014): 9–33.

Hawkins, Sir John. A General History of the Science and Practice of Music, 5 vols. London: Payne, 1776.

Hawkins, Matilda-Laetitia. Anecdotes, Biographical Sketches and Memoirs, 3 vols. London: Rivington, 1822–1824.

Johnstone, H. Diack. “Westminster Abbey and the Academy of Ancient Music: A Library Once Lost and Now Partially Recovered.” Music & Letters 95 (2014): 329–373.

Kollmann, Augustus Frederic Christopher. Essay on Practical Musical Composition According to the Nature of that Science and the Principles of the Greatest Musical Authors. London: author, 1799.

Landgraf, Annette, and David Vickers, ed. The Cambridge Handel Encyclopedia. Cambridge: Cambridge University Press, 2009.

Marpurg, Friedrich Wilhelm. Untitled article (dated 25.10.1749). Der critische Musicus an der Spree 1 (1750): 311–315.

Oliphant, Thomas. A Brief Account of the Madrigal Society from its Institution in 1741, up to the Present Period. London: Calkin and Budd, 1835.

Rosselli, John. The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario. Cambridge: Cambridge University Press, 1984.

Strohm, Reinhard. Essays on Handel and Italian Opera. Cambridge: Cambridge University Press, 1985.

Talbot, Michael. “A Leaving Present for Princess Louisa? Handel, Barsanti and Bodmer Ms. 11461–7.” Händel-Jahrbuch 61 (2015): 343–383.

———. “An Unexpected Handel Copyist: Francesco Barsanti.” The Handel Institute Newsletter 24, no. 2 (2013): 1–3.

———. “Francesco Barsanti and the Lure of National Song.” Studi musicali (forthcoming).

———. The Chamber Cantatas of Antonio Vivaldi. Woodbridge: The Boydell Press, 2006.

White, Micky, and Michael Talbot. “Pietro Mauro, detto ‘il Vivaldi’: Failed Tenor, Failed Impresario, Failed Husband, Acclaimed Copyist.” In Vivaldi,“Motezuma” and the Opera Seria: Essays on a Newly Discovered Work and Its Background, edited by Michael Talbot, 37–61. Speculum Musicum 13. Turnhout: Brepols, 2008.

Woolley, Andrew. “Neapolitan Sacred Music in Eighteenth-Century Britain: The Case of Pergolesi’s Messa di S. Emidio.” Studi pergolesiani/Pergolesi Studies 10 (2015): 186–207.



DOI: https://doi.org/10.3986/dmd11.1-2.08

Avtorske pravice (c) 2019 De musica disserenda

##submission.license.cc.by-nc-nd4.footer##

Za nemoteno delovanje spletna stran uporablja piškotek za čas trajanja seje. Po končani seje se piškotek izbriše.