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  3. Vol. 10 No. 2 (2014)

Vol. 10 No. 2 (2014)

Edited by Jurij Snoj
Published: 2015-05-21
  • Historical musical instruments in performance practice: possibilities and perspectives in Slovene music culture

    Darja Koter
    7-20
    • PDF (Slovenščina)
  • Piano improvisation practice according to Systematische Anleitung Zum Fantasieren auf dem Pianoforte by Carl Czerny

    Ana Vončina
    21-32
    • PDF (Slovenščina)
  • Georg Link and his treatise on dance from 1796

    Pia Brocza, Marko Motnik
    33-55
    • PDF (Deutsch)
  • The symphonic repertoire in the Gorizia region in the eighteenth and early nineteenth centuries

    Vesna Venišnik
    57-64
    • PDF (Slovenščina)
  • Franciscan eighteenth-century choir books from Novo mesto

    Radovan Škrjanc
    65-86
    • PDF (Slovenščina)
  • Johannes Baptista Dolar and Johann Weichard von Valvasor. A decade’s acquaintance, Valvasor’s contribution to Dolar’s promotion and his “blame” for the composer’s obscurity

    Boris Golec
    87-99
    • PDF (Slovenščina)
  • The facade and the back of a solemn musical architecture: the structure of Epicedion Harmonicum by Jacobus Gallus (Jacob Handl) and its unresolved enigma

    Marc Desmet
    101-123
    • PDF (Français (Canada))
  • The Ljubljana-Graz group of Franciscan plainchant manuscripts and their Franciscan character

    Jurij Snoj
    125-146
    • PDF (Slovenščina)

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  • Slovenščina

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Publisher: Založba ZRC, ZRC SAZU

Print ISSN: 1854-3405

Online ISSN: 2536-2615

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