Vol. 20 No. 1-2 (2024):

Published: 2024-12-30

Foreword

Klemen Grabnar
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The Earliest Villanellas by Giacomo Gorzanis Notes on the Lute Ms. 1511a in Munich, Bayerische Staatsbibliothek

Dinko Fabris
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Gallus as a Polyphonic Mass Composer A Bunch of Complementary Remarks on his First Printed Collection from 1580

Marc Desmet
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Polyphonic Meditations for “Miserable Times” Music and Devotion in the Spiritual Madrigals of Philippe de Monte

Daniele V. Filippi
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Instrumental Ensemble Music as Part of the Royal Intradas in Early-Modern Breslau

Tomasz Jeż
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Newly Found Source of Jacobus Handl-Gallus’s Mass Compositions and Other Traces of Reception of His Music in Seventeenth-Century Royal Prussia

Barbara Przybyszewska-Jarmińska
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A Curious Seventeenth-Century Painting of Music-Making in Casale Monferrato

Kathryn Bosi Monteath
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“Allora più gradito, che più battuto” Franciscans from Koper and their Baroque cantus fractus

Katarina Šter
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“Being Design’d as a Concert Intermix’d with the Play” Continuity and Change in Instrumental Music for the London Theatres, 1700–1740

Peter Holman
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Some Remarks on the Pasticcio Sonata and Concerto in the First Half of the Eighteenth Century

Michael Talbot
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Oratorio Il Davide nella valle di Terebintho by Carl Ditters von Dittersdorf

Jana Spáčilová
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Maestro Bojan Adamič in 1947 in Albania Professional Assistance for Musical Culture or Penal Decree

Darja Koter
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Recepcija Lucijana Marije Škerjanca, kot se kaže v koncertnem življenju po njegovi smrti

Matjaž Barbo
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Glasbena notacija v ljubiteljski glasbeni dejavnosti in etnomuzikologiji v 20. in 21. stoletju

Mojca Kovačič, Urša Šivic
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