Vol. 20 No. 1-2 (2024): Creation, Recreation, Notation and Reception of Music: Papers in Honour of Metoda Kokole

Edited by Klemen Grabnar

Published: 2024-12-30

• Foreword

  Klemen Grabnar

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• The Earliest Villanelle by Giacomo Gorzanis Notes on the Lute Mus.Ms. 1511 a in Munich, Bayerische Staatsbibliothek

  Dinko Fabris

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• Gallus as a Polyphonic Mass Composer A Bunch of Complementary Remarks on his First Printed Collection from 1580

  Marc Desmet

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• Polyphonic Meditations for “Miserable Times” Music and Devotion in the Spiritual Madrigals of Philippe de Monte

  Daniele V. Filippi

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• Instrumental Ensemble Music as Part of the Royal Intradas in Early-Modern Breslau

  Tomasz Jeż

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• A Newly Found Source of Jacobus Handl-Gallus’s Mass Compositions and Other Traces of Reception of His Music in Seventeenth-Century Royal Prussia

  Barbara Przybyszewska-Jarmińska

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• A Curious Seventeenth-Century Painting of Music-Making in Casale Monferrato

  Kathryn Bosi Monteath

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• “Allora più gradito, che più battuto” Franciscans from Koper and their Baroque cantus fractus

  Katarina Šter

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• “Being Design’d as a Concert Intermix’d with the Play” Continuity and Change in Instrumental Music for the London Theatres, 1700–1740

  Peter Holman

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• Some Remarks on the Pasticcio Sonata and Concerto in the First Half of the Eighteenth Century

  Michael Talbot

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• Oratorio Il Davide nella valle di Terebintho by Carl Ditters von Dittersdorf

  Jana Spáčilová

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• Maestro Bojan Adamič in 1947 in Albania Professional Assistance for Musical Culture or Penal Decree

  Darja Koter

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• Reception of Lucijan Marija Škerjanc’s Music as Reflected in Concert Life after His Death

  Matjaž Barbo

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• Musical Notation in Amateur Music and Ethnomusicology in the Twentieth and Twenty-First Centuries

  Mojca Kovačič, Urša Šivic

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