»Zasnovano kot koncert v izmenjavi z igro«
kontinuiteta in spremembe v instrumentalni glasbi za londonska gledališča, 1700–1740
DOI:
https://doi.org/10.3986/dmd20.1-2.08Ključne besede:
sonata, koncert, uvertura, Gledališče Drury Lane, Gledališče Lincoln’s Inn FieldsPovzetek
Od šestdesetih let 17. stoletja so bile približno 50 let igre v londonskih gledališčih redno obogatene z nizi instrumentalne glasbe, sestavljenimi iz dveh skupin uvodne glasbe, uverture in t. i. »act tunes«, ki so se izvajali med dejanji. V začetku 18. stoletja so te nize gledaliških instrumentalnih arij nadomestile italijanske sonate in koncerti ali tovrstne skladbe v italijanskem slogu. Ta članek obravnava, kako in kdaj je prišlo do spremembe; kako, kdaj in kje se je instrumentalna glasba v predstavah igrala; kje so bili glasbeniki v gledališčih nameščeni in kako so bili povezani z drugimi vrstami zabavnih intermezzov, vokalno glasbo in plesi.
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