Nekaj pripomb o pasticcio sonati in koncertu v prvi polovici 18. stoletja
DOI:
https://doi.org/10.3986/dmd20.1-2.09Ključne besede:
Antonio Vivaldi, Johann Georg Pisendel, Tomaso Albinoni, simfonija, DresdenPovzetek
Medtem ko so operni pasticcii dobro poznani sestavni deli glasbenega življenja prve polovice 18. stoletja, so instrumentalni pasticcii iz istega obdobja v obliki sonat ali koncertov veliko manj znani in raziskani. Članek obravnava nekaj presenetljivih primerov drugega tipa iz dveh precej različnih virov in okvirov: (1) rokopisne antologije sonat in drugih skladb za flavto, ohranjene v Bonnu; (2) repertoarja dresdenske dvorne kapele pod vodstvom Johanna Georga Pisendla. Kaže, da je bilo ustvarjanje pasticcia včasih presenetljivo spretno in glasbeno občutljivo delo.
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