Vol. 19 No. 2 (2023): Authentic, Fake or Mistaken Identity? Creation, Recreation, Deception and Forgery in Music

Edited by Metoda Kokole

Published: 2024-01-25

• The Strobach Syndrome: François-Joseph Fétis, Historical Fakes and the Early Music Revival

  Peter Holman

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• Investigating the Shipton Hoard

  Iain Fenlon

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• Profectio Moysis in Aegyptum (1784): A “Fake” Neapolitan Oratorio?

  Eric Boaro

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• A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments

  Florence Gétreau

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• Original, Fake, or a Little of Both? On the Question of the Authenticity of a Pandurina by Giovanni Smorsone

  Heidi von Rüden

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• Counterfeit Ruckers Instruments in the MIM Collection: A Case Study of the So-Called “Ruckers-Taskin” Harpsichord

  Pascale Vandervellen

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• The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem

  Marina Toffetti

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• Music for Tarquinia Molza Rediscovered: Cantate o nove alme/Mater misericordiae by Domenico Micheli/Geronimo Cavaglieri

  Gabriele Taschetti

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• Programmatic Pieces Turned into a Ballet Score: The Music for the Ballet The Taming of the Shrew Choreoggraphed by László Seregi

  Júlia Fedoszov

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• Authorship and Attribution in the Wurstisen Lute Book

  Yavor Genov

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• Debussy’s Old Hindu Chant (La Boîte à joujoux): Exotic Humorous Fakery and Rejuvenation of Music

  Benjamin Lassauzet

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