Vol. 13 No. 1-2 (2017)

Parnassus Musicus Ferdinandaeus (1615)

Edited by Metoda Kokole

Editorial assistants: Klemen Grabnar, Lucija Bizant

Published: 2017-12-28

Foreword

Metoda Kokole

11-14
- PDF (Slovenščina)
- PDF

Ferdinand II.: From Inner-Austrian Archduke to Holy Roman Emperor

Vanja Kočevar

17-38
- PDF (Deutsch)
Archduke Ferdinand’s Musical Parnassus in Graz

Metoda Kokole

39-57
- PDF
From Milan to Graz: Milanese and Lombard Composers in the Parnassus Musicus Ferdinandaeus

Marina Toffetti

61-86
- PDF (Italiano)
Parallel Settings in the Collection of Giovanni Battista Bonometti’s Parnassus Musicus Ferdinandaeus

Joachim Steinheuer

87-118
- PDF (Deutsch)
Pietro Antonio Bianco’s Missa Percussit Saul mille: A Precursor of the Habsburg Imperial musica politica of the Seventeenth Century

Klemen Grabnar

119-132
- PDF
Giovanni Battista Cocciola’s Activity in the Polish-Lithuanian Commonwealth and his Concerto Ave mundi spes Maria from the Parnassus Musicus Ferdinandaeus

Aleksandra Patalas

135-145
- PDF
Giovanni Sansoni: Cornettist, Maestro dei concerti and Composer in Venice, Graz and Vienna

Herbert Seifert

147-156
- PDF
The Music of Bartolomeo Mutis, Conte di Cesana

Katharina Haun

157-168
- PDF
Il secondo libro de mottetti a una e due voci of Antonio Gualtieri and the Parnassus Musicus Ferdinandaeus

Chiara Comparin

169-189
- PDF (Italiano)
“Von Haußaus”: Examples of Imperial Musicians at the Time of Rudolf II

Michaela Žáčková Rossi

193-204
- PDF (Italiano)
The Musical Patronage of the House of Habsburg in Jesuit Silesia

Tomasz Jeż

205-220
- PDF (Italiano)
Music-Related Contacts Between the Courts of the Polish King and the Archdukes of Inner Austria and the Dissemination of musica moderna in Central and East-Central Europe

Barbara Przybyszewska-Jarmińska

223-233
- PDF
Foreign Musicians at the Transylvanian Court of Sigismund Báthory

Peter Király

235-252
- PDF
A Monastic Manuscript Parallel to the Parnassus Musicus Ferdinandaeus

Rudolf Flotzinger

255-265
- PDF
P. Sebastian Ertel and His Sacred Works

Martin Fiala

267-280
- PDF
Vinko Jelić and Ivan Lukačić: Two Migrants Between the Mediterranean and Central Europe in the MusMig Project and Its Database

Vjera Katalinić

283-292
- PDF

Vol. 13 No. 1-2 (2017)

Foreword

Ferdinand II.: From Inner-Austrian Archduke to Holy Roman Emperor

Archduke Ferdinand’s Musical Parnassus in Graz

From Milan to Graz: Milanese and Lombard Composers in the Parnassus Musicus Ferdinandaeus

Parallel Settings in the Collection of Giovanni Battista Bonometti’s Parnassus Musicus Ferdinandaeus

Pietro Antonio Bianco’s Missa Percussit Saul mille: A Precursor of the Habsburg Imperial musica politica of the Seventeenth Century

Giovanni Battista Cocciola’s Activity in the Polish-Lithuanian Commonwealth and his Concerto Ave mundi spes Maria from the Parnassus Musicus Ferdinandaeus

Giovanni Sansoni: Cornettist, Maestro dei concerti and Composer in Venice, Graz and Vienna

The Music of Bartolomeo Mutis, Conte di Cesana

Il secondo libro de mottetti a una e due voci of Antonio Gualtieri and the Parnassus Musicus Ferdinandaeus

“Von Haußaus”: Examples of Imperial Musicians at the Time of Rudolf II

The Musical Patronage of the House of Habsburg in Jesuit Silesia

Music-Related Contacts Between the Courts of the Polish King and the Archdukes of Inner Austria and the Dissemination of musica moderna in Central and East-Central Europe

Foreign Musicians at the Transylvanian Court of Sigismund Báthory

A Monastic Manuscript Parallel to the Parnassus Musicus Ferdinandaeus

P. Sebastian Ertel and His Sacred Works

Vinko Jelić and Ivan Lukačić: Two Migrants Between the Mediterranean and Central Europe in the MusMig Project and Its Database

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