The Music of Bartolomeo Mutis, Conte di Cesana
DOI:
https://doi.org/10.3986/dmd13.1-2.08Keywords:
early monody, Bartolomeo Mutis, Italian court musicians in AustriaAbstract
Bartolomeo Mutis, Conte di Cesana, was a court chaplain and singer in the court chapel of Archduke Ferdinand in Graz. In 1613 he published one of the first collections of monodies (numbering fourteen) and small-scale concertos by a composer living outside Italy. Mutis’s compositional style is analysed and compared with that of contemporaries.Downloads
References
Bonometti, Giovanni Battista, ed. Parnassus musicus Ferdinandaeus. Venice: Giacomo Vincenti, 1615.
Blackburn, Bonnie J., and Edward Lowinsky. “Luigi Zenobi and his Letter on the Perfect Musician”. Studi Musicali 22, no. 1 (1993): 61–114.
Brunelli, Antonio. Varii Esercitii, 1614. Edited by Richard Erig. Italienische Diminutionslehren, 2. Zürich: Musikverlag zum Pelikan, 1977.
Caccini, Giulio. Le Nuove Musiche: Giulio Caccini; Riproduzione dell’edizione del 1601. Edited by Francesco Mantica. Prime fioriture del melodramma italiano, 2. Rome: Raccolte Claudio Monteverdi, 1930.
Federhofer, Hellmut. “Graz Court Musicians and their Contributions to the ‘Parnassus Musicus Ferdinandaeus’ (1615)”. Musica Disciplina 9 (1955): 167–244.
———. Musikpflege und Musiker am Grazer Habsburgerhof der Erzherzöge Karl und Ferdinand von Innerösterreich. Mainz: B. Schott’s Söhne, 1967.
———. “Mutis, Bartolomeo, Count of Cesana”. In Grove Music Online. Accessed 18 September, 2017.
Grassl, Markus. “Mutis, Bartolomeo Conte di Cesana”. In: MGG Online, edited by Laurenz Lütteken. Accessed 18 September 2017.
Herbst, Johann Andreas. Musica Moderna Prattica, overo maniera di buon canto. 2nd ed. Frankfurt: Antonius Hummen, 1653.
Javitch, Daniel. “Il Cortegiano and the Constraints of Despotism”. In The Book of the Courtier, by Baldassare Castiglione, edited by Daniel Javitch, translated by Charles S. Singleton, 319–328. Norton Critical Editions. New York: Norton, 2002.
Rasi, Francesco. Musiche da camera e chiesa, 1612. Edited by Herbert Seifert. Denkmäler der Musik in Salzburg, 7. Salzburg: Selke Verlag, 1995.
Wessely, Othmar, ed. Frühmeister des Stile nuovo in Österreich. Denkmäler der Tonkunst in Österreich, 125. Graz: Akademische Druck- u. Verlaganstalt, 1973.
———. Das Werden der barocken Musikkultur. In Musikgeschichte Österreichs, vol. 1, Von den Anfängen zum Barock, 2nd ed., edited by Rudolf Flotzinger, 253–297. Vienna: Böhlau Verlag, 1995.
Downloads
Published
How to Cite
Issue
Section
License
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter