The relative autonomy of music: a case of Ljubljanski dnevnik 1951-1961

Authors

  • Leon Stefanija University of Ljubljana, Faculty of Arts

DOI:

https://doi.org/10.3986/dmd03.1.08

Keywords:

aesthetics of music, sociology of music, functions of music, Slovenian music

Abstract

Through the analysis of musical entries in the newspaper Ljubljanski dnevnik and a discussion of what appear to be the main topoi of that time, the article offers an insight into the relations between three sets of questions connecting (and, at the same time, revealing differences between) the notions of musical autonomy and function: 1. the composer’s autonomy, 2. the autonomy of music as a social institution and 3. the autonomy of the listener.

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Published

2015-06-10

How to Cite

Stefanija, L. (2015). The relative autonomy of music: a case of Ljubljanski dnevnik 1951-1961. De Musica Disserenda, 3(1), 87–100. https://doi.org/10.3986/dmd03.1.08

Issue

Vol. 3 No. 1 (2007)

Section

Articles

License

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