Vol. 3 No. 1 (2007)

Edited by Nataša Cigoj Krstulović, co-editors Michael Talbot, Thomas Kabisch

Published: 2015-06-10

Editorial note

Nataša Cigoj Krstulović

5
- PDF (Slovenščina)
- PDF

To the "Immortal composer": on the reception of Mozart's operas in 19th-century Zagreb

Vjera Katalinić

9-22
- PDF
Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper

Marta Ottlová, Milan Pospíšil

23-35
- PDF (Deutsch)
Between utilitarian and autonomous: Polish opera in the second half of the nineteenth century

Grzegorz Zieziula

37-46
- PDF
Music and national consciousness

Stane Granda

47-54
- PDF (Slovenščina)
"A merry song cheers up a sad heart - a tender song soothes its wounds"

Matjaž Barbo

55-63
- PDF (Slovenščina)
"Utilitarian music" as socio-historical phaenomenon in the Slovenian territory in the second half of the nineteenth century

Nataša Cigoj Krstulović

65-76
- PDF (Slovenščina)
Reviews of the Glasbena Matica choir in the light of its international activity

Tomaž Faganel

77-86
- PDF (Slovenščina)
The relative autonomy of music: a case of Ljubljanski dnevnik 1951-1961

Leon Stefanija

87-100
- PDF (Slovenščina)
The question of autonomy of musical review in Slovene daily newspapers on the first performance of the cantata "Stara pravda" by Matija Tomc: between an aesthetic judgement and political construct

Jernej Weiss

101-115
- PDF (Slovenščina)