Diabolus in memoria: pripazke o rabi tritonusa v Debussyjevih zaključkih
DOI:
https://doi.org/10.3986/dmd16.2.03Ključne besede:
tritonus, Claude Debussy, glasbene reminiscence, spominski procesiPovzetek
Na začetku 20. stoletja je Claude Debussy na raznolike načine eksperimentiral s tritonusom v harmoniji in melodiji. V zaključkih v njegovih instrumentalnih skladbah je pogost tritonus v tematičnem gradivu, ki spodbuja primerjavo med sedanjostjo in preteklostjo. Za razliko od drugih francoskih skladateljev je Debussy bolj naklonjen latentnim glasbenim reminiscencam, ki zdrsnejo pod zavedno percepcijo, kot pa jasnim povezavam.
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