Praetorius in Zarlino o modusih

Avtorji

  • Nejc Sukljan Univerza v Ljubljani, Filozofska fakulteta

DOI:

https://doi.org/10.3986/dmd15.1-2.05

Ključne besede:

Gioseffo Zarlino, Michael Praetorius, glasbena teorija, modusi

Povzetek

Prispevek obravnava vprašanje modusov, kot se kaže v spisih Istitutioni harmoniche Gioseffa Zarlina in Syntagma musicum Michaela Praetoriusa. Predstavitvi sistema dvanajstih modusov, ki ga je Zarlino prevzel od Heinricha Glareana, in sprememb, ki jih je vanj vpeljal, sledi njegova primerjava s preglednim prikazom modusov, kot ga je v svojem spisu predstavil Praetorius.

Prenosi

Podatki o prenosih še niso na voljo.

Literatura

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Praetorius, Michael. Syntagma musicum I: Musicae artis analecta. Wittenberg: J. Richter, 1614/15. Facsimile edition, edited by Wilibald Gurlitt. Documenta musicologica 1, Druckschriften-Faksimiles 21. Kassel: Bärenreiter, 1959.

Praetorius, Michael. Syntagma musicum III: Termini musici. Wolfenbüttel: Elias Holwein, 1619. Facsimile edition, edited by Wilibald Gurlitt. Documenta musicologica 1, Druckschriften-Faksimiles 15. Kassel: Bärnreiter, 1958.

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Objavljeno

2019-10-30

Kako citirati

Sukljan, N. (2019). Praetorius in Zarlino o modusih. De Musica Disserenda, 15(1-2), 105–124. https://doi.org/10.3986/dmd15.1-2.05

Številka

Rubrike

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