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  3. Vol. 7 No. 1 (2011)

Vol. 7 No. 1 (2011)

From the Carthusian music tradition to the reception of Bach's music in the Slovenian lands

Edited by Metoda Kokole

Published: 2015-06-23
  • Two Carthusian antiphoners from the thirteenth century and the question of the uniformity of the Carthusian liturgical music tradition

    Katarina Šter
    7-34
    • PDF (Slovenščina)
  • „Pietate, eruditione atque rerum experientia vir præclarus“: der Komponist und Kleriker Georgius Prenner - Pyrenæus Carniolus

    Marko Motnik
    35-50
    • PDF (Deutsch)
  • Fortunato Chelleri’s Cantate e arie con stromenti (1727): A souvenir of London

    Michael Talbot
    51-68
    • PDF
  • Ancora sui goûts réunis: Michele Mascitti, Giovanni Antonio Guido e l’eredità di Corelli e Vivaldi in Francia nella prima metà del Settecento

    Barbara Nestola
    69-84
    • PDF (Italiano)
  • About the time and place of origin and the authorship of the Noten-Buch, vorinnen die Fundamenta zu dem Clavier oder Orgel enthalten preserved in Novo mesto

    Radovan Škrjanc
    85-112
    • PDF (Slovenščina)
  • Off the beaten track: An exploration of Bach reception in the Slovenian lands in the nineteenth century

    Tanja Kovačević
    113-130
    • PDF

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  • English
  • Slovenščina

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Publisher: Založba ZRC, ZRC SAZU

Print ISSN: 1854-3405

Online ISSN: 2536-2615

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