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Reger in Slovenia

Authors

  • Matjaž Barbo University of Ljubljana, Faculty of Arts

DOI:

https://doi.org/10.3986/dmd12.2.03

Keywords:

Max Reger, Slovenian music, music reception, history of music interpretation

Abstract

The article deals with the history of Max Reger’s reception in Slovenian music. Initially some personal contacts between Reger and Slovenian musicians are traced. The first critical observations of his music soon turned into admiration, followed by relatively regular performances of his concert works (organ, chamber, choral, and orchestral) as well as use of his pedagogical literature.

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References

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Published

2017-03-15

Versions

How to Cite

Barbo, M. (2017). Reger in Slovenia. De Musica Disserenda, 12(2), 47–58. https://doi.org/10.3986/dmd12.2.03

Issue

Vol. 12 No. 2 (2016)

Section

Articles

License

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