Perzeption und Rezeption des Gregorianischen Chorals von seiner Restauration bis heute
DOI:
https://doi.org/10.3986/dmd09.1-2.14Keywords:
Gregorian chant, semiology, performance practiceAbstract
The perception and reception of Gregorian chant has experienced a fundamental change since the mid-nineteenth century. Plainsong was no longer a pure liturgical chant in the Catholic rite, but a chant for all people. In addition to its liturgical aspect, Gregorian chant now represents the concepts of “archaic” and “mystic” and is increasingly independent from the liturgical context. Economic aspects are also relevant to this process. However, Gregorian chant has never entirely lost its link to its origins in the medieval liturgy.Downloads
Download data is not yet available.
Downloads
Published
2015-06-24
How to Cite
Engels, S. (2015). Perzeption und Rezeption des Gregorianischen Chorals von seiner Restauration bis heute. De Musica Disserenda, 9(1-2), 241–252. https://doi.org/10.3986/dmd09.1-2.14
Issue
Section
Articles
License
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter