Heilige Helden: Zu den Spielarten einer Metapher und ihrer musikalischen Artikulation in den Historiae des Mittelalters

Authors

  • Roman Hankeln Norwegian University of Science and Technology in Trondheim

DOI:

https://doi.org/10.3986/dmd09.1-2.11

Keywords:

plainchant, cult of saints, heroism, music and text

Abstract

It is significant for medieval Latin liturgical texts (including plainchant texts) that early Christian authors adopted the language of war and heroism in a metaphorical sense to describe the character and behavior of the saints, and especially of martyrs. This paper investigates the various modes of this heroic metaphor in the textual and musical representation of saints in medieval saints’ offices, the historiae, by analyzing five examples taken from the historiaein honor of St. Fides of Agen (Aquitaine, eleventh c.), St. Oswald of Northumbria (England, eleventh c.), and St. Charlemagne (Aachen, twelfth c.). It shows how the topic of “heroism” is articulated through analogies between textual and musical structures.

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Published

2015-06-24

How to Cite

Hankeln, R. (2015). Heilige Helden: Zu den Spielarten einer Metapher und ihrer musikalischen Artikulation in den Historiae des Mittelalters. De Musica Disserenda, 9(1-2), 191–207. https://doi.org/10.3986/dmd09.1-2.11

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Section

Articles