Ravnik’s musical-aesthetic outlook in the context of the two contemporary Slovenian compositional schools

Authors

  • Katarina Bogunović Hočevar University of Ljubljana, Faculty of Arts

DOI:

https://doi.org/10.3986/dmd06.2.06

Keywords:

the history of Slovenian music, aesthetics of music, Janko Ravnik, Slavko Osterc, Lucijan Marija Škerjanc

Abstract

In the 1930s, Janko Ravnik fell into creative silence. At the same time, two compositional schools took shape in Slovenia: that of Slavko Osterc and that of Lucijan Marija Škerjanc. The article establishes whether Ravnik’s silence came about as a consequence of the (non-)acceptance of Osterc’s aesthetics and compositional ideas.

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Published

2015-06-22

How to Cite

Bogunović Hočevar, K. (2015). Ravnik’s musical-aesthetic outlook in the context of the two contemporary Slovenian compositional schools. De Musica Disserenda, 6(2), 85–99. https://doi.org/10.3986/dmd06.2.06

Issue

Vol. 6 No. 2 (2010)

Section

Articles

License

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