To the "Immortal composer": on the reception of Mozart's operas in 19th-century Zagreb

Authors

  • Vjera Katalinić Croatian Academy of Sciences and Arts

DOI:

https://doi.org/10.3986/dmd03.1.01

Keywords:

Mozart, Don Giovanni, Die Zauberflöte, Zagreb, Croatian National Theatre, 19th century, reception

Abstract

Mozart’s operas Don Giovanni and Die Zauberflöte were staged in Zagreb only from the 1830s. The paper deals with their reception through the analysis of critical reviews of Mozart’s operas in major 19th-century Zagreb newspapers within the context of the city’s music/operatic life, local interpretative and stage forces, music criticism and reports on the reactions of the audience.

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Published

2015-06-10

How to Cite

Katalinić, V. (2015). To the "Immortal composer": on the reception of Mozart’s operas in 19th-century Zagreb. De Musica Disserenda, 3(1), 9–22. https://doi.org/10.3986/dmd03.1.01

Issue

Vol. 3 No. 1 (2007)

Section

Articles

License

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