„Tönend bewegte Formen“ oder „seelischer Ausdruck“. Zu einer musikästhetischen Streitfrage im 19. Jahrhundert

Authors

  • Barbara Boisits Österreichische Akademie der Wissenschaften

DOI:

https://doi.org/10.3986/dmd02.2.04

Keywords:

musical aesthetics, poetic idea, Eduard Hanslick, August Wilhelm Ambros, Robert Zimmermann

Abstract

The paper compares Hanslick’s book Vom Musikalisch-Schönen (1854) with August Wilhelm Ambros’s Die Grenzen der Musik und Poesie (1855). Whereas Hanslick perceived the uniqueness of music in its radical autonomy, Ambros tried to find common ground with the other arts in order to make music participate in the spirit of its time.

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Published

2015-06-09

How to Cite

Boisits, B. (2015). „Tönend bewegte Formen“ oder „seelischer Ausdruck“. Zu einer musikästhetischen Streitfrage im 19. Jahrhundert. De Musica Disserenda, 2(2), 43–52. https://doi.org/10.3986/dmd02.2.04

Issue

Vol. 2 No. 2 (2006)

Section

Articles

License

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