Three Kyries – Dolar's composition pattern

Authors

  • Tomaž Faganel

DOI:

https://doi.org/10.3986/dmd01.1-2.02

Keywords:

musical analysis, musical grammar, modality, hexachordality

Abstract

Three Kyries from the Masses by Janez Krstnik Dolar (1621–1673) prove the clarity of the composer's creative process and profound grammar of music. Its frame is a distinct late-Renaissance fugue, the subject of which is based on the complex musical mode of thought of the period, in a musical language that is being freed from the old ramified world of hexachords but is in its thinking still firmly grounded in traditional modality.

Downloads

Download data is not yet available.

Author Biography

Tomaž Faganel

Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti

Downloads

Published

2015-05-29

How to Cite

Faganel, T. (2015). Three Kyries – Dolar’s composition pattern. De Musica Disserenda, 1(1-2), 29–60. https://doi.org/10.3986/dmd01.1-2.02

Issue

Vol. 1 No. 1-2 (2005)

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.

More in: Submission chapter