Historical musical instruments in performance practice: possibilities and perspectives in Slovene music culture

Authors

  • Darja Koter Univerza v Ljubljani, Akademija za glasbo

DOI:

https://doi.org/10.3986/dmd10.2.01

Keywords:

collections of instruments, historical instruments, historical performance practice

Abstract

The interpretation and performance of early music are closely related to the research of historical performance practices, the preservation of historical musical instruments, activities / endeavours of specialized ensembles and education. This area of research in Slovenia is largely led by museum collections of musical instruments, national programmes for the revitalization of cultural heritage and some cultural and educational institutions. It is therefore essential to consider examples of good practice and to develop new opportunities regarding collections of musical instruments in Slovene museums, early music festivals and music education.

Downloads

Download data is not yet available.

Author Biography

Darja Koter, Univerza v Ljubljani, Akademija za glasbo

Darja Koter, doktorica muzikoloških znanosti, profesorica na Akademiji za glasbo Univerze v Ljubljani

References

Ahrens, Christian. Hammerklaviere mit Wiener Mechanik. Frankfurt na Majni: Bochinsky Verlag, 1999.

Baines, Antony. Brass Instruments: Their History and Development. New York: Dover Piblications, Inc., 1993.

Cole, Michael. The Pianoforte in the Classical Era. Oxford: Clarendon Press, 1998.

Dolmetsch, Arnold. The Interpretation of the Music of the 17th and 18th Centuries Revealed by Contemporary Evidence. London: Novello, 1915.

Donington, Robert. The Interpretation of Early Music. London: Faber and Faber, 1963.

Dreyfus, Laurence. »Early Music defended against its devotees: a theory of historical performance in the twentieth century«. Musical Quarterly 69, št. 3 (1983): 297–322.

Druzovič, Hinko. »Iz ptujske glasbene preteklosti«. Kronika slovenskih mest 5, št. 3 (1938): 171–177.

Dullat, Günter. Holzblasinstrumentenbau: Entwicklunsstufen und Technologien. Celle: Edition Moeck, 1990.

Gardina, Helena. »Glasbena dediščina in njeni ustvarjalci«. V: Musica aeterna est: Glasbeno življenje v slovenskih obalnih mestih do 19. stoletja, ur. Vlasta Beltram, 37–56. Koper: Pokrajinski muzej, 2006.

Hasl, Drago. »Haloška žvegla«. Traditiones 4 (1975): 89–116.

Heyde, Herbert. Das Ventilblasinstrument: Seine Entwicklung im deutschsprachingen Raum von den Anfängen bis zur Gegenwart. Wiesbaden: Breitkopf & Härtel, 1987.

Hopfner, Rudolf. Wiener Musikinstrumentenmacher 1766–1900: Adressenverzeichnis und Bibliographie. Tutzing: Hans Schneider, 1999.

Kenyon, Nicholas, ur. Authenticity and early music. Oxford: Oxford University Press, 1988.

Kokole, Metoda. »Glasba plemiških bivališč na Slovenskem od srednjega veka do konca 18. Stoletja«. Kronika 60 (2012): 667–698.

Koter, Darja. Ekspertiza o stanju in možnostih javne prezentacije glasbil v slovenskih muzejih. Ljubljana, 2014 (tipkopis).

Koter, Darja. »François Saraillac: Pochette«. V: Theatrum vitae et mortis humanae: podobe iz 17. stoletja na Slovenskem, ur. Maja Lozar Štamcar in Maja Žvanut, 84–85. Ljubljana: Narodni muzej Slovenije, 2002.

Koter, Darja. Glasbilarstvo na Slovenskem. Maribor: Založba Obzorja, 2001.

Koter, Darja. »Izdelovanje glasbil«. V: Glasba na Slovenskem do konca 16. stoletja, ur. Jurij Snoj. Zgodovina glasbe na Slovenskem, zv. 1, 443–459. Ljubljana: Založba ZRC, 2012.

Lawson, Colin, in Robert Stowell. The Historical Performance of Music. An Introduction. Cambridge: Cambridge University Press, 1999.

Mal, Josip. Stara Ljubljana in njeni ljudje. Ljubljana: DZS, 1957.

Mantuani, Josip. Razvoj glasbe pri Slovencih. Katalog razstave. Ljubljana: Glasbena matica, 1932.

Maundner, Richard. Keyboard Instruments in Eighteenth-century Vienna. Oxford: Clarendon Press, 1998.

Posch, Isaac. Harmonia concertans, izvaja Ramovš consort. Ljubljana: Klemen Ramovš Management, 1994 (zvočni CD).

Škulj, Edo. Orgle v Ljubljani. Celje: Mohorjeva družba, 1994.

Taruskin, Richard. »The pastness of the present and the presence of the past«. V: Authenticity and early music: a symposium, ur. Nicholas Kenyon, 137–207. Oxford: Oxford University Press, 1988.

Žvanut, Maja. Od viteza do gospoda. Ljubljana: Viharnik in Znanstveni inštitut Filozofske fakultete, 1994.

Published

2015-05-21

How to Cite

Koter, D. (2015). Historical musical instruments in performance practice: possibilities and perspectives in Slovene music culture. De Musica Disserenda, 10(2), 7–20. https://doi.org/10.3986/dmd10.2.01

Issue

Section

Articles