Street Poetry in Interaction with (Living) Language
DOI:
https://doi.org/10.3986/jz.v20i1.2276Keywords:
street poetry, rap, hip-hop, music, history, typologyAbstract
In the 1970s a new musical genre called rap appeared in the United States, continuing the tradition of rock and punk music. In about twenty years, this new form of protest poetry created global sociolinguistic changes because its presence helped shape a special social group with a special lexicon and grammar. Rap uses both standard and colloquial vocabulary and syntax. Its traditional origin in poor black urban neighborhoods justifies the use of the term street poetry.Downloads
References
Adams 2009 = Michael Adams, Slang: the People’s Poetry, UK: Oxford University Press, Inc., 2009.
Gjurin 1974 = Velemir Gjurin, Interesne govorice sleng, žargon, argo, Slavistična revija 22 (1974), št. 1, 65–81.
Kusterle 2013 = Jernej Kusterle, Strukturalna poetika ulične poezije: diplomsko delo, Ljubljana: [J. Kusterle], 2013. (Tipkopis.)
Skubic 2004 = Andrej E. Skubic, Sociolekti od izraza do pomena: kultiviranost, obrobje in eksces, Obdobja 22 (2004), Ljubljana: Center za slovenščino kot drugi/tuji jezik pri Oddelku za slovenistiko Filozofske fakultete Univerze v Ljubljani, 2004, 297–320.
Smole 2010/2011 = Vera Smole, Socialne zvrsti slovenskega jezika: predavanja in seminar [na Filozofski fakulteti Univerze v Ljubljani], 2010/2011.
Virk 1999 = Tomo Virk, Moderne metode literarne vede in njihove filozofsko teoretske osnove, Ljubljana: Univerza v Ljubljani, Filozofska fakulteta, Oddelek za primerjalno književnost in literarno teorijo, 1999.
Downloads
Published
How to Cite
Issue
Section
License
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter