»Not […] a Program, but an Afterthought«: o odkritju elektronskega dela San Fernando Sequence Ernesta Kreneka
DOI:
https://doi.org/10.3986/dmd16.2.01Ključne besede:
Ernst Krenek, San Fernando Sequence, elektronska glasba, kritika avdiovizualnih virov, glasbena analizaPovzetek
Odkritje elektronskega glasbenega dela San Fernando Sequence (1963) Ernsta Kreneka, ki je dolgo veljalo za izgubljeno, sproža interpretativne probleme, ki na povraten način vključujejo dostop do samega glasbenega gradiva in identifikacijo dela. Članek vire tega dela postavlja v zgodovinsko-tehnološki okvir njihove produkcije in z muzikološko analizo za oceno avtentičnosti podaja estetsko interpretacijo dela znotraj zapletene stopnje razvoja avtorjevega kompozicijskega mišljenja v odnosu do elektronskega medija.
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