Musical Links between Moravia and the Slovenian Lands in the Baroque Period
DOI:
https://doi.org/10.3986/dmd17.1.03Keywords:
Moravia, Slovenian lands, Italian Baroque opera, Wolfgang Hannibal Count Schrattenbach, Sigmund Felix Count Schrattenbach, Angelo MingottiAbstract
This study considers musical links between Moravia and the Slovenian lands in the first half of the eighteenth century. Significant cultural exchange took place during this period, thanks especially to the brothers Wolfgang Hannibal and Sigmund Felix Counts Schrattenbach. Their common interest in music is investigated on the basis of correspondence from the time when the elder brother worked in Italy, while the younger was in Salzburg. Following Wolfgang’s move to Moravia and Sigmund’s to Ljubljana, these links became deeper, as documented not only in the records of personal visits but also by Moravian librettos uniquely preserved in Ljubljana. The second part focuses on contacts based on Italian opera companies active in Brno and Ljubljana, for instance singers engaged by both companies and exchange of musical repertoire.
Downloads
References
A-Su, 4041: La ribellione d’Assalone (Salzburg).
A-Wn, 28537-B: La fede ne’tradimenti (Graz, 1736).
Berlin, Private collection of Rainer Theobald, without shelf mark: La Contadina (Holešov, 1735).
CZ-KRa, N/a IX/2 95, adl.3: L’Egeste (Trieste, 1733).
CZ-KRa, N/a IX/2 95, adl.10: Gli eccessi della tirannide gelosa (Padua, 1733).
I-Mb, Racc.dramm.3621: La Contadina (Ljubljana, 1733).
I-Mb, Racc.dramm.3621: Li Birbi (Ljubljana, 1733).
I-Mb, Racc.dramm.3621: Euristeo (Ljubljana, 1732).
SI-Lsk, AE 40/12: Morte, e sepoltura di Christo (Salzburg, post 1724).
SI-Lsk, AE 45/5: Euristeo (Ljubljana, 1732).
SI-Lsk, AE 61/5: Il finto Policare (Salzburg, 1724).
SI-Lsk, Z IV 1/3: Il Tamerlano (Ljubljana, 1733).
Continuatio Annalium Domus Cremsiriensis ab Anno 1725. Národní archiv Praha, oddělení 1, fond ŘPi – Piaristé (40), book. no. 325.
Manuale P. Magistri Stephani Christ Ord. Minorum S. P. N. Francisci Convent […] Anno 1733. Brno, Moravská zemská knihovna, Rkp. Mn 60.
Schrattenbach’s correspondence. Nadškofijski arhiv Ljubljana (SI-Lna), Škofijski arhiv, Škofje, sign. Šal/Šk., fasc. 5, Sigmund Schrattenbach 1728–1742.
Schrattenbach’s correspondence. Zemský archiv Opava, pobočka Olomouc, collection AO Arcibiskupství Olomouc, convolut XII, sign. 3268, cart. 1420; convolut XXV, sign. 3281, cart. 1433.
Batchvarova Schweitzer, Radmila. “The Mingotti Opera Company in Brno, Graz, Prague, and Copenhagen”. Diploma thesis, Univerzita Karlova Prague, 1994.
Borcherdt, Hans Heinrich. “Geschichte der italienischen Oper in Breslau”. Zeitschrift des Vereins für Geschichte Schlesiens 44 (1910): 18–51.
Freeman, Daniel E. The Opera Theater of Count Franz Anton von Sporck in Prague. Studies in Czech Music 2. Stuyvesant, NY: Pendragon, 1992.
Havlíčková, Margita. Berufstheater in Brünn 1668–1733. Brno: Masarykova univerzita, 2012.
Höfflinger, Heinrich W. “Eine Chronik der Grafen Schrattenbach”. Jahrbuch der K. K. heraldischen Gesellschaft Adler, Neue Folge 23 (1913): 145–178.
Jurášková, Kateřina, and Jana Spáčilová. Italská opera na holešovském zámku v době Františka Antonína Rottala. Knihovnička Holešovska 36. Holešov: Město Holešov, 2019.
Kokole, Metoda. “Bonomi, Giuseppe Clemente (?–?)”. In Slovenska biografija. Accessed 15 November 2020. https://www.slovenska-biografija.si/oseba/sbi1019840/#novi-slovenski-biografski-leksikon.
Kokole, Metoda. “The Earliest Operas in Ljubljana: The ‘Comedia Italiana in Musica’ (1660) and ‘Il Tamerlano’ (1732)”. In Italian Opera in Central Europe, edited by Melania Bucciarelli, Norbert Dubowy and Reinhard Strohm, 51−66. Berlin: BWV, 2006.
Kokole, Metoda. “Italian Operas in Ljubljana in the Seventeenth and Eighteenth Centuries”. In Il teatro musicale italiano nel Sacro Romano Impero nei secoli XVII e XVIII, edited by Alberto Colzani, Norbert Dubowy, Andrea Luppi in Maurizio Padoan, 263–291. Como: A.M.I.S., 1999.
Kokole, Metoda. “Italijanska opera v notranjeavstrijskih središčih v 18. stoletju: repertoar in izvajalci”. De musica disserenda 1, no. 1–2 (2005): 75–93. https://doi.org/10.3986/dmd01.1-2.04.
Kokole, Metoda. “The Mingotti Opera Company in Ljubljana in the Early 1740s”. In The Eighteenth-Century Italian Opera Seria: Metamorphoses of the Opera in the Imperial Age, edited by Petr Macek and Jana Perutková, 138–163. Prague: KLP, 2013.
Kokole, Metoda. “Najzgodnejše opere na Slovenskem: od Euridice (?) do začetka delovanja stanovskega gledališča”. In Stoletja glasbe na Slovenskem, uredil Primož Kuret, 223–247. Ljubljana: Festival, 2006.
Kokole, Metoda. “Two Operatic Seasons of Brothers Mingotti in Ljubljana.” De musica disserenda 8, no. 2 (2012): 57–89. https://doi.org/10.3986/dmd08.2.04.
Lavrič, Ana, ed. Upodobitve ljubljanskih škofov. Ljubljana: Narodna galerija, 2007.
Maňas, Vladimír. “Přitahovat hudbou: Minoritský konvent v Brně a jeho rozkvět v první polovině 18. století”. Opus musicum 44, no. 2 (2012): 6–19.
Müller von Asow, Erich Hermann. Angelo und Pietro Mingotti: Ein Beitrag zur Geschichte der Oper im XVIII. Jahrhundert. Dresden: R. Bertling, 1917.
Perutková, Jana. Der glorreiche Nahmen Adami: Johann Adam Graf von Questenberg (1678–1752) als Förderer der italienischen Oper in Mähren. Vienna: Hollitzer, 2016. https://doi.org/10.2307/j.ctv6jmb47.
Rainer, Werner. “Fürsterzbischof Harrach und Antonio Caldara – ein Fernbeziehung”. In Antonio Caldara nel suo tempo, edited by Milada Jonášová and Tomislav Volek, 235–270. Prague: Società Mozartiana della Repubblica Ceca, 2017.
Sartori Claudio. I libretti italiani a stampa dalle origini al 1800: catalogo analitico con 16 indici. 7 vols. Cuneo: Bertola & Locatelli, 1990–1994.
Spáčilová, Jana. Catalogue of the Italian Opera Libretti in Central Europe in the 1st Half of the 18th Century. Vol. 1, Moravia. Clavis Monumentorum Musicorum Regni Bohemiae, Series S 8. Prague: KLP, forthcoming.
Spáčilová, Jana. Hudba na dvoře olomouckého biskupa Schrattenbacha. Olomouc: Univerzita Palackého v Olomouci, Filozofická fakulta, 2018.
Spáčilová, Jana. “Das Pasticcio in den böhmischen Ländern in der ersten Hälfte des 18. Jahrhunderts”. Theatralia 22, no. 2 (2019): 123–136. https://doi.org/10.5817/TY2019-2-6.
Spáčilová, Jana. “Počátky opery ve Slezsku – současný stav pramenů”. Musicologica Brunensia 51, no. 2 (2016): 157–170. https://doi.org/10.5817/MB2016-2-12.
Spáčilová, Jana. “Soloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov: Italian Opera Singers in Moravian Sources c. 1720–1740 (Part I)”. In Musicians’ Mobilities and Music Migrations in Early Modern Europe: Biographical Patterns and Cultural Exchanges, edited by Gesa zur Nieden and Berthold Over, 255–273. Mainzer Historiche Kulturwissenschaften 33. Bielefeld: Transcript Verlag, 2016. https://doi.org/10.14361/9783839435045-014.
Škerlj, Stanko. Italijansko gledališče v Ljubljani v preteklih stoletjih. Ljubljana: Slovenska akademija znanosti in umetnosti, 1973.
Theobald, Rainer. Die Opern-Stagioni der Brüder Mingotti. Vienna: Hollitzer 2015. https://doi.org/10.2307/j.ctv6jmtt5.
Wurzbach, Constant von. Biographisches Lexikon des Kaiserthums Österreich. Vol. 31, Schnabel–Schröter. Vienna: L. C. Zamarski, Kaiserlich-königlichen Hof- und Staatsdruckerei, 1876.
Zuber, Rudolf. Osudy moravské církve v 18. století. Prague: Česka katolická Charita, 1987.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter