A pianist and figurative writing

Authors

  • Marina Chernaya Tver State University

DOI:

https://doi.org/10.3986/dmd05.1.05

Keywords:

figurative writing, musical texture, contrapuntal technique, texture analysis

Abstract

In keyboard music, early as well as modern, there are characteristic instrumental figures, which, in the case of great musical works, appear to be inextricably bound up with the compositional technique and the composer’s way of musical thinking. In studying keyboard music, it is necessary to consider the method of notation of the musical texture; it is the examination of this, the notational aspect of the musical work, that makes possible a correct understanding and interpretation of the composer’s ideas.

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Published

2015-06-20

How to Cite

Chernaya, M. (2015). A pianist and figurative writing. De Musica Disserenda, 5(1), 51–64. https://doi.org/10.3986/dmd05.1.05

Issue

Vol. 5 No. 1 (2009)

Section

Articles

License

Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.

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