Franciscan eighteenth-century choir books from Novo mesto
DOI:
https://doi.org/10.3986/dmd10.2.05Keywords:
church music, Franciscans, eighteenth-century musicAbstract
The paper presents some basic information about the musical and liturgical contents as well as the origin of eight eighteenth-century choir books preserved in the library of the Franciscan monastery in Novo mesto. They are manuscripts of a rather specific music repertory used by Franciscans at their religious services. A more detailed analysis of this repertory and its comparison with contemporary Franciscan music from other parts of central Europe should still be done in the future. The same is true for examining this repertory from the viewpoint of its influence on the growth of church music in Slovenia in the eighteenth century.Downloads
References
Barbo, Matjaž. »'Cantual' brežiškega frančiškanskega samostana«. V: S patri smo si bili dobri. Tri stoletja brežiških frančiškanov, ur. Jože Škofljanec, 257–273. Krško: Zavod Neviodunum, Ljubljana: Brat Frančišek, 2013.
Benedik, Metod. »Protireformacija in katoliška prenova«. V:Zgodovina cerkve na Slovenskem, ur. Metod Benedik, 113–152. Celje: Mohorjeva družba, 1991.
Dotzauer, Wilfried. »Die kirchenmusikalischen Werke Johann Valentin Rathgebers«. Dokt. dis., Friedrich-Alexander-Universität, Erlangen-Nürnberg, 1976.
Eineder, Georg. The Ancient Paper-Mills of the Former Austro-Hungarian Empire and Their Watermarks. Monumenta chartae papyraceae historiam illustrantia. Zv. 8. Hilversum: Paper Publications Soc., 1960.
Grasemann, Friederike. »Die Franziskanermesse des 17. und 18. Jahrhunderts«. Studien zur Musikwissenschaft 27 (1966): 72–124.
Höfler, Janez. »Glasbenozgodovinske najdbe XVIII. in XIX. stoletja v Novem mestu«. Kronika 15, št. 3 (1967): 135– 148.
Kačic, Ladislav. »Figuralmusik der Franziskaner in Mitteleuropa – Repertoire und Aufführungspraxis«. V: Musik und Kultur der geistlichen Orden in Mitteleuropa zwischen Tridentinum und Josephinismus (interdisziplinäre WWW-Konferenz), ur. Ladislav Kačic, 163–174. Bratislava: Slowakische Akademie der Wissenschaften, Kabinet für Slawistik, 1997.
Kačic, Ladislav. »Mehrstimmiger Gesang der Franziskaner in Mitteleuropa im 17. Jahrhundert«. Slovenská hudba 22, št. 3–4 (1996): 450–454.
Kačic, Ladislav. »Missa franciscana der Marianischen Provinz im 17. und 18. Jahrhundert«. Studia Musicologica Academiae Scientiarum Hungaricae 33 (1991): 5–107.
Kačic, Ladislav. »'Opus franciscanum' v zápise a zvukovnej podobe«.Slovenská hudba 18, št. 1 (1992): 136–145.
Kinderić, Petar Antun. Franjevaci uz orgulje. Krapina: Hrvatsko društvo crkvenih glazbenika, 2006.
Lipowsky, Felix Joseph. Baierisches Künsler-Lexikon. 2 zv. München, 1810.
Olleson, Edward. »Church Music and Oratorio«. V: The New Oxford History of Music. Zv. 7, The Age of Enlightenment, ur. Egon Wellesz in Frederick Sternfeld, 288–335. London: Oxford University Press, 1973.
Popis muzikalija u Knjižnici franjevačkog samostana u Samoboru. Ur. Ladislav Šaban, Svanibor Pettan in Ivan Lončar (tipkopis, julij 1981).
Richter, Pál. Der Melodienbestand des Franziskanerordens im Karpatenbecken im 17. Jh. Fontes historici ordinis fratrum minorum in Hungaria, zv. 4. Budimpešta: Magyarok Nagyasszonyáról Nevezett Ferences Rendtartomány, 2007.
Riman, Marija. »Barokna glazba u franjevačkom samostanu na Trasatu u Rijeci«. Arti musices 28, št. 1–2 (1997): 19–34.
Škofljanec, Jože. »Red manjših bratov (O. F. M.) in provinca sv. Križa«. V: Frančiškani v Ljubljani: samostan, cerkev in župnija Marijinega oznanjenja, ur. Silvin Krajnc, 9–77. Ljubljana: Samostan in župnija Marijinega oznanjenja, 2000.
Šorn, Jože. »Starejši mlini za papir na Slovenskem«.Zgodovinski časopis 8, št. 1–4 (1954): 87–117.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter