Sustainable Cultural Engagement — Developing a Project Plan and Outreach Activities: Insights from Slovenia
DOI:
https://doi.org/10.3986/dmd21.2.02Keywords:
Radovljica Festival, early music, audience workshop, communication strategies, educational concertsAbstract
This article examines how musicological research can be effectively communicated through innovative outreach strategies, using the 2024 “From Scribe to Stage” workshop in Radovljica as a case study. By analysing audience feedback and European outreach activities, it proposes diverse methods, including thematic activities and educational programmes, to foster sustainable audience engagement and cultural impact.
Downloads
References
Ballantyne, Julie, Roy Ballantyne and Jan Packer. “Designing and Managing Music Festival Experiences to Enhance Attendees’ Psychological and Social Benefits”. Musicae Scientiae 18, no. 1 (2014): 65–83. https://doi.org/10.1177/102986491351184.
Chiya, Amos. “The Role of Rural Music Festivals in Community Resilience, Resourcefulness, and Well-being”. The International Journal of Social Sustainability in Economic, Social, and Cultural Context 21, no. 1 (2025): 25–50. https://doi.org/10.18848/2325-1115/CGP/v21i01/25-50.
Čekrlija, Saša, and Milić, Zlatibor. “The Significance of Tourist Consumption from the Perspective of Organizing Music Festivals”. SCIENCE International Journal 3, no. 1 (2024): 133–137. https://doi.org/10.35120/sciencej0301133c.
Falassi, Alessandro. “Festival: Definition and Morphology”. In Time Out of Time: Essays on the Festival, edited by Alessandro Falassi, 1–10. Albuquerque: University of New Mexico Press, 1987.
Finkel, Rebecca, and Louise Platt. “Cultural Festivals and the City”. Geography Compass 14, no. 9 (2020): 1–21. https://doi.org/10.1111/gec3.12498.
Kinnunen, Maarit. “Total Festival Experience: A Mixed Methods Research Approach to Consumer Experiences in Finnish Cultural Festivals”. PhD diss., Lapin yliopisto, 2018.
Levaux, Christophe, Philippe Vendrix and Adam Whittaker, eds. Historical Musicology in European Universities, Research Organisations and Scientific Academies: A Preliminary Survey. Project report. Brussels, 2025. https://zenodo.org/records/14621706.
Puentes-Blanco, Andrea, Metoda Kokole, Philippe Vendrix, María Gembero-Ustárroz, Rebecca Herissone, Christian Troelsgård, Klemen Grabnar, Birgit Lodes, Kateryna Schöning and Vilena Vrbanić. “The Monumental Edition in the Digital Age: Creating a Sustainable Future”. Journal of New Music Research 53, nos. 3–4 (2024): 312–324. https://doi.org/10.1080/09298215.2024.2373998.
Qin, Tian, and Iago Campello Álvarez. “Disseminating Early Music: Reaching beyond Traditional Fans – A Study on Early Music Dissemination, Festivals, and Audience Participation”. De Musica disserenda 21, no. 2 (2025). https://doi.org/10.3986/dmd21.2.03.
Roselló Cerezuela, David. Diseño y evaluación de proyectos culturales: de la idea a la acción. Barcelona: Ariel, 2007.
Zarotis, George F. “Event Management and Marketing in Tourism”. Global Academic Journal Humanity Social Sciences 3, no. 2 (2021): 75–81. https://doi.org/10.36348/gajhss.2021.v03i02.001.
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter
