A National Musical Heroine at the Margins of Concert Life: The Case of Dora Pejačević
DOI:
https://doi.org/10.3986/dmd21.1.04Keywords:
Dora Pejačević, women’s musical production, Croatian music criticism, Croatian musical historiography, history of receptionAbstract
This article explores the political context that has been overlooked in the reception of Dora Pejačević’s oeuvre. It argues that the historical and contemporary marginalization of her work reflects broader patterns in Croatian musical historiography that have excluded women’s musical production from concert stages and scholarly discourse.
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