The Earliest Villanelle by Giacomo Gorzanis

Notes on the Lute Mus.Ms. 1511 a in Munich, Bayerische Staatsbibliothek

Authors

  • Dinko Fabris Università della Basilicata & Universiteit Leiden

DOI:

https://doi.org/10.3986/dmd20.1-2.01

Keywords:

Giacomo Gorzanis, villanella, lute tablature, Herwart family, Munich Mus.Ms. 1511 a

Abstract

Gorzanis was a successful lute composer during the period 1560–1570. His manuscript (1567) in the Bayerische Staatsbibliothek contains seven villanelle, four of which are not in the two books he had published in 1570 and 1571. A reconstruction from the tablature of one of these pieces is proposed as an example of a widespread performance practice.

Downloads

Download data is not yet available.

References

Dublin, Trinity College Library (IRL-Dtc), Ms. 410/1 (Dallis Lutebook). Munich, Bayerische Staatsbibliothek (D-Mbs), Mus.Ms. 1511 a.

Gorzanis, Giacomo. Il primo libro di napolitane che si cantano et sonano in leuto. Venice: Girolamo Scotto, 1570.

Gorzanis, Giacomo. Il secondo libro delle Napolitane à tre voci. Venice: Girolamo Scotto, 1571.

Gorzanis, Giacomo. Intabolatura di Liuto di Messer Iacomo Gorzanis Cieco Pugliese, Habitante nella Città di Trieste. Novamente da lui composto. Venice: Gardano, 1561.

Gorzanis, Giacomo. Opera nova de lauto composed by Misier Jacomo Gorzanis citadino della magnifica città di Trieste messa in luce da suo figliolo Massimiliano. Libro quarto. Venice: Alessandro Gardane, 1579.

Gorzanis, Giacomo. Terzo libro de intabulatura de liuto. Venice: Antonio Gardano, 1564.

Zappasorgo, Giovanni. Napolitane a tre voci. Libro primo. Venice: Girolamo Scotto, 1571.

Gorzanis, Giacomo. Il primo libro di napolitane che si cantano et sonano in leuto (1570) & Il secondo libro delle napoletane a tre voci (1571). Edited by Alenka Bagarič. Monumenta artis musicae Sloveniae 51. Ljubljana: Slovenska akademija znanosti in umetnosti, Muzikološki inštitut Znanstvenoraziskovalnega centra Slovenske akademije znanosti in umetnosti, 2007.

Boettischer, Wolfgang. Handschriftlich Überlieferte Lauten- und Gitarrentabulaturen des 15. bis 18. Jahrhunderts. rism b vii. Munich: Henle Verlag, 1978.

Craig-McFeely, Julia. “English Lute Manuscripts and Scribes, 1530–1640”. PhD diss., University of Oxford, 1993.

Fabris, Dinko. “The Role of Solo Singing to the Lute in the Origins of the Villanella alla Napolitana, c. 1530–1570”. In “Gesang zur Laute”, edited by Nicole Schwindt. Special issue, Trossinger Jahrbuch für Renaissancemusik 2 (2002): 133–145. https://doi.org/10.25371/troja.v20022982.

Goodwin, Christopher. The English Lute Song before Dowland. Vol. 1, Songs from the Dallis Manuscript. London: Lute Society Music editions, 1996.

Ness, Arthur J. “The Herwart Lute Manuscripts at the Bavarian State Library, Munich: A Bibliographical Study with Emphasis on the Works of Marco dall’Aquila and Melchior Newsidler”. PhD diss., New York University, 1984.

Taricani, JoAnn. “A Renaissance Bibliophile as Musical Patron: The Evidence of the Herwart Sketchbooks”. Notes 49, no. 4 (1993): 1357–1389. https://doi.org/10.2307/899359.

Ward, John. The Dublin Virginal Manuscript. 3rd ed. London: Schott, 1983.

Downloads

Published

2024-12-30 — Updated on 2024-12-30

Versions

How to Cite

Fabris, D. (2024). The Earliest Villanelle by Giacomo Gorzanis: Notes on the Lute Mus.Ms. 1511 a in Munich, Bayerische Staatsbibliothek. De Musica Disserenda, 20(1-2). https://doi.org/10.3986/dmd20.1-2.01