Profectio Moysis in Aegyptum (1784): A “Fake” Neapolitan Oratorio?
DOI:
https://doi.org/10.3986/dmd19.2.03Keywords:
oratorio, forgery, Naples, Andrea Favi, VeniceAbstract
One manuscript of an oratorio in I-Mc dating from 1784 is described, on its title page, as a pasticcio by “celebrated Neapolitan maestri”. I suggest that the source is actually a forgery and linked to three non-Neapolitan composers. The inference is that it was associ- ated with Naples purely for marketing reasons.
Downloads
References
Bertoni, Ferdinando. “Davidde penitente”. Score. Milan, Biblioteca del Conservatorio Statale di Musica Giuseppe Verdi (I-Mc), M.S. MS. 36-1.
Bertoni, Ferdinando. Orfeo ed Euridice. Venice: Alessandri & Scattaglia, 1776.
Bianchi, Francesco. “L’Abramo”. Score. I-Mc, M.S. MS. 39-1.
Bianchi, Francesco. “Originale Cantata A voce Sola di Tenore Di Francesco Bianchi Cremonese Per uso Del M. R. Padre Ottaviano Brusatori”. Score. I-Mc, Mus. Tr. ms. 177.
Cimarosa, Domenico. “Finali, uno del sig.r Domenico Cimarosa e l’altro del sig.r Pasquale Anfossi […]”. Score. Belluno, Biblioteca Civica (I-BEc), AM.ms99.
Gazzaniga, Giuseppe. “Susanna”. Score. I-Mc, M.S. ms. 108-1.
Hasse, Johann Adolf. “Demofoonte”. Score. Dresden, Sächsische Landesbibliothek - Staats- und Universitätsbibliothek (D-Dl), Mus.2477-F-57a.
Paisiello, Giovanni. “Nina”. Score. D-Dl, Mus.3481-F-513a.
Palomba, Antonio. La Matilde. Naples: Di Biase, 1739. Milan, Biblioteca Braidense, Racc. Dramm. Corniani Algarotti 3363.
“Profectio Moysis in Aegyptum”. Score. I-Mc, M.S. MS. 249-1.
Profectio Moysis in Aegyptum. Venice: Angelo Pasinelli, 1772. I-Vgc, Correr 12 B 4/1.
“Susanna”. I-Mc, Libretti V. 71.
Susanna. Venice, 1788. I-Vcg, Correr Oratori 59 F 9.
Terziani, Pietro. “Exaltabo te Domine”. Rome, Archivio capitolare della Basilica papale di Santa Maria Maggiore (I-Rsm), 111/39; Rome, Archivio musicale della Basilica di San Giovanni in Laterano (I-Rsg), ms. mus. A.1438.
Traetta, Tommaso. “Ouverture”. Score. I-Mc, Noseda Q.26.1.
Literature
Antolini, Bianca Maria, ed. Dizionario degli editori musicali italiani, 1750–1930. Pisa: ETS, 2000.
Arnold, Denis, and Elsie Arnold. The Oratorio in Venice. London: Royal Musical Association, 1986.
Bartoli, Francesco. Notizie istoriche de’ comici italiani che fiorirono intorno all’anno MDL fino a’ giorni presenti. Padua: Conzatti, 1781.
Brosses, Charles de. Lettres familières écrites d’Italie. Paris: Poulet-Malassis et de Broise, 1858.
Burney, Charles. A General History of Music. Edited by Frank Mercer. 2 vols. New York: Dover, 1957.
Degrada, Francesco. “False attribuzioni e falsificazioni nel catalogo delle opera di Giovanni Battista Pergolesi: genesi storica e problemi critici”. In L’attribuzione: teoria e pra- tica; storia dell’arte, musicologia, letteratura, edited by Ottavio Besomi and Carlo Caruso, 93–114. Berlin: Birkhäuser, 1994. https://doi.org/10.33137/q.i.v16i1.10404.
Gillio, Pier Giuseppe. L’attività musicale negli ospedali di Venezia nel Settecento. Florence: Olschki, 2006.
Gmeinwieser, Siegfried. “Terziani, Pietro”. In Grove Music Online. Accessed 15 June 2021. https://doi.org/10.1093/gmo/9781561592630.article.27725.
Goethe, Johann Wolfgang. Goethe’s Travels in Italy. Translated by Alexander James William Morrison. London: George Bell and Sons, 1885.
Rousseau, Jean-Jacques. The Confessions of J. J. Rousseau. Translated by David Widger. London: Reeves and Turner, 1861.
Schmidl, Carlo. Supplemento al Dizionario universale dei musicisti: appendice – aggiunte e rettifiche al primo e secondo volume. Milan: Sonzogno, 1938.
Sechi, Giovanni Andrea. “Morandi, Pietro Maria”. In Dizionario Biografico degli Italiani Online. Accessed 15 June 2021. https://www.treccani.it/enciclopedia/pietro-maria-morandi_(Dizionario-Biografico).
Smither, Howard E. “Oratorio”. In Grove Music Online. Accessed 15 June 2021. https://doi.org/10.1093/gmo/9781561592630.article.20397.
Talbot, Michael. The Sacred Vocal Music of Antonio Vivaldi. Florence: Olschki, 1995. Truett Hollis, George. “Bertoni, Ferdinando (Gasparo)”. In Grove Music Online. Accessed 15 June 2021. https://doi.org/10.1093/gmo/9781561592630.article.02933.
Vaccarini, Marina. “Il fondo Villa della Biblioteca del Conservatorio di Milano: risultati di una prima ricognizione”. Fonti Musicali Italiane 18 (2013): 25–78.
Walker, Frank. “Two Centuries of Pergolesi Forgeries and Misattributions”. Music and Letters 30, no. 4 (1949): 297–320. https://doi.org/10.1093/ml/XXX.4.297.
Wright, Edward. Some Observations Made in Travelling through France, Italy, &c. 2 vols. London: Ward and Wicksteed, 1730.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
More in: Submission chapter