Il processo rielaborativo di Johann Georg Pisendel in alcune Sonate per violino e basso continuo

Authors

DOI:

https://doi.org/10.3986/dmd19.1.04

Keywords:

Johann Georg Pisendel, violin sonata, autograph, concordance, compositional process, second thoughts

Abstract

A detailed analysis of four concordant movements, taken from five autograph sonatas for violin and basso continuo by Johann Georg Pisendel, allows us to identify some compositional and reworking methods of the German musician. The alternative versions recorded in these manuscripts seem to derive frequently from performing and improvisatory practice.

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Author Biography

Fabrizio Ammetto

Universidad de Guanajuato, México

References

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Lupiáñez Ruiz, Francisco Javier e Fabrizio Ammetto. “Las anotaciones de Pisendel en el Concierto para dos violines RV 507 de Vivaldi: una ventana abierta a la improvisación en la obra del ‘Cura rojo’”. In Musical Improvisation in the Baroque Era, a cura di Fulvia Morabito, 43–62. Turnhout: Brepols, 2019.

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Published

2023-11-20

How to Cite

Ammetto, F. (2023). Il processo rielaborativo di Johann Georg Pisendel in alcune Sonate per violino e basso continuo. De Musica Disserenda, 19(1). https://doi.org/10.3986/dmd19.1.04

Issue

Vol. 19 No. 1 (2023): Secular Music contrafacta in the Church Archives of Slovenian Styria

Section

Articles

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