Due cantate spurie di Francesco Antonio Pistocchi a Milano

Authors

  • Alejandra Béjar Bartolo

DOI:

https://doi.org/10.3986/dmd17.2.05

Keywords:

manuscript, authorship, musical setting, counterpoint, key sequences

Abstract

An analysis of the structural characteristics (key sequences, instrumental introductions, ariosi) and the musical language (peculiarities and errors in harmony and counterpoint and the text-music relationship) of two manuscript cantatas for soprano ascribed to Francesco Antonio Pistocchi that are preserved in the library of the Conservatorio di musica “Giuseppe Verdi” in Milan proves their incorrect attribution.

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Author Biography

Alejandra Béjar Bartolo

Universidad de Guanajuato, México

References

Pistocchi, Francesco Antonio. Chamber Cantata “Pallidetta viola” for Alto voice and basso continuo. A cura di Fabrizio Ammetto e Alejandra Béjar Bartolo. Launton: Edition HH, in preparazione.

Pistocchi, Francesco Antonio. Frammento di una Cantata. Trascrizione di Adolfo Crescentini. Bologna: Achille Tedeschi, [c. 1894].

Pistocchi, Francesco Antonio. Scherzi musicali, [op. II] – Duetti e terzetti, op. III. A cura di Alejandra Béjar Bartolo. Lucca: Libreria Musicale Italiana, 2015.

Pistocchi, Francesco Antonio. Kantaten und Duette. Bamberg: Cavalli Records, 2001. CCD 312. http://opac2.icbsa.it/vufind/Record/IT-DDS0000046020000000.

Béjar Bartolo, Alejandra. “Una cantata, dos voces (¿soprano o alto?), cuatro (¿o cinco?) fuentes: Pallidetta viola de Francesco Antonio Pistocchi”. In Aspectos de la investigación musicológica actual: compositores, formas musicales, ejecución, improvisación, arte y paisaje sonoro, a cura di Fabrizio Ammetto, 19–32. Guanajuato: Universidad de Guanajuato, 2019.

Béjar Bartolo, Alejandra e Fabrizio Ammetto. “Aspectos de análisis textual y musical en los ‘Scherzi musicali’ (1698) de Francesco Antonio Pistocchi”. Per Musi 18, n. 37 (2017): 1–18.

Béjar Bartolo, Alejandra e Fabrizio Ammetto. “Las composiciones de Francesco Antonio Pistocchi (1659–1726): listado actualizado de su obra”. Revista Iberoamericana de las Ciencias Sociales y Humanísticas 6, n. 11 (2017): 313–335. https://doi.org/10.23913/ricsh.v6i11.120.

Hanley, Edwin H. “Alessandro Scarlatti’s cantate da camera: A Bibliographical Study”. Diss. dottorale, Yale University, 1963.

Mischiati, Oscar. Indici, cataloghi e avvisi degli editori e librai musicali italiani dal 1591 al 1798. Firenze: Leo S. Olschki, 1984.

Rostirolla, Giancarlo, ed. Alessandro Scarlatti: catalogo generale delle opere. Torino: ERI, 1972.

Silvani, Giuseppe Antonio. Indice dell’opere di musica sin’hora stampate in Bologna. Bologna: Giuseppe Antonio Silvani, 1724.

Talbot, Michael, ed. Aspects of the Secular Cantata in Late Baroque Italy. Farnham: Ashgate, 2009.

Talbot, Michael. The Chamber Cantatas of Antonio Vivaldi. Woodbridge: Boydell Press, 2006.

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Published

2021-09-06

How to Cite

Béjar Bartolo, A. (2021). Due cantate spurie di Francesco Antonio Pistocchi a Milano. De Musica Disserenda, 17(2). https://doi.org/10.3986/dmd17.2.05

Issue

Vol. 17 No. 2 (2021)

Section

Articles

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