Poti violinskih učbenikov na Slovensko in njihove interakcije v 18. stoletju
DOI:
https://doi.org/10.3986/dmd11.1-2.17Ključne besede:
18. stoletje, violina, violinski učbeniki, inštrumentalna glasba, Giuseppe Tartini, Leopold Mozart, Vincenzo Panerai, Johann Adam Hiller, Johann Joachim QuantzPovzetek
Violinski učbeniki, ki so bili namenjeni izključno violinski tehniki, so se pojavili na koncu 17. stoletja in so bili vsaj do leta 1750 prvenstveno namenjeni amaterjem. Na Slovenskem so se pojavili v drugi polovici 18. stoletja in so bili namenjeni predvsem orkestrskim izvajalcem.Prenosi
Literatura
Angelucci, Eugenia. “Le ‘Regole per ben Suonar il Violino’ di Tartini e la ‘Violinschule’ di Leopold Mozart.” In Tartini: il tempo e le opere, edited by Andrea Bombi and Maria Nevilla Massaro. Bologna: Società editrice il Mulino, 1994.
Arnold, Elsie. “Maddalena Laura Sirmen.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London: Macmillan, 2001.
“Avvisi.” Gazzetta Toscana, 25. 2. 1792.
Babitz, Sol. “Treatise on Ornamentation.” Journal of Research in Music 4, no. 2 (1956): 75–102.
Berdes, Jane L. “L’ultima allieva di Tartini: Maddalena Lombardini Sirmen.” In Tartini: il tempo e le opere, edited by Andrea Bombi and Maria Nevilla Massaro. Bologna: Società editrice il Mulino, 1994.
———. “Preface.” In Maddalena Laura Lombardini Sirmen: Three Violin Concertos, edited by Jane L. Berdes, vii–xvi. Recent Researches in the Music of the Classical Era 38. Madison: A–R Editions, 1991.
———. “Notes.” In Maddalena Laura Lombardini Sirmen: Three Violin Concertos, edited by Jane L. Berdes, xvii–xx. Recent Researches in the Music of the Classical Era 38. Madison: A–R Editions, 1991.
Boyden, David D. The History of Violin Playing from its Origins to 1761. New York: Oxford University Press, 1990.
———. “The Violin and Its Technique in the 18th Century.” The Musical Quaterly 36 (1950): 9–38.
———. “The Missing Italian Manuscript of Tartini’s ‘Traité des Agrémens’.” The Musical Quaterly 46 (1960): 315–328.
Canale, Margherita. “Fonti per una ricostruzione della didattica di Tartini nella ‘scuola delle nazioni’.” Muzikološki zbornik 28 (1992): 15–24.
DuBois, Ted Alan. “Christian Friedrich Daniel Schubart’s Ideen zu einer Ästhetik des Tonkunst: An Annotated Translation.” PhD diss., University of Southern Calfornia, 1983.
Dular, Franja. “Knjigotrška ponudba na Kranjskem od 17. stoletja do začetka 19. stoletja.” PhD diss., University of Ljubljana, 2000.
Einstein, Alfred. “Preface.” In Leopold Mozart, A Treatise on the Fundamental Principles of Violin Playing (reprint). Edited and translated by Edith Knocker. Oxford: Oxford University Press, 1985.
Fétis, François Joseph. “Joseph Tartini.” In Biographie universelle des musiciens et bibliographie générale de la musique, edited by François Joseph Fétis. 2nd ed. Vol. 8. Paris: Librairie de Firmin Didot Frères. Fils & Co., 1867.
Hiller, Johann Adam. Anweisung zum Violinspielen für Schulen und zum Selbsunterrichte: nebst einem kurzgefassten Lexicon der fremden Wörter und Benennungen in der Musik, entworfen von Johann Adam Hiller. Graz: Trötscher, 1795.
———. Lebensbeschreibungen berühmter Musikgelehrten und Tonkünstler neuerer Zeit. Leipzig: Dykische Buchhandlung, 1784.
Höfler, Janez. “Glasbeniki koprske stolnice v 17. in 18. stoletju.” Kronika 16 (1968): 140–144.
———. “Glasbenozgodovinske najdbe XVIII. in XIX. stoletja v Novem mestu.” Kronika: časopis za slovensko krajevno zgodovino 15 (1967): 135–148.
Jacobi, Erwin R. “G. F. Nicolai’s Manuscript of Tartini’s ‘Regole per ben suonar il Violin’.” The Musical Quaterly 47 (1961): 207–223.
Kokole, Metoda. “Academia Philharmonicorum Labacensium: zgledi, ustanovitev in delovanje.” In Historični seminar II, edited by Oto Luthar and Vojislav Likar, 205–222. Ljubljana: Založba ZRC, 1997.
———. “Glasbeno teoretični in pedagoški priročniki iz ‘dolgega’ 18. stoletja na Slovenskem.” Muzikološki zbornik 47, no. 1 (2011): 49–74.
Lang, Paul Henry. George Frideric Handel. New York: W. W. Norton, 1966.
“Lettera del defonto signor Giuseppe Tartini.” L’Europa letteraria, 1. 6. 1770.
Lohri, Angela et al. “Combination Tones in Violins.” Archives of Acoustics 36 (2011): 727–740.
Marpurg, Friedrich Wilhelm. Historisch-Kritische Beyträge zur Aufnahme der Musik. Vol. 1. Berlin: J. J. J. Schützens Witwe, 1754.
Mattheson, Johann. Johann Mattheson’s Der vollkommene Capellmeister: A Revised Translation with Critical Commentary. Edited by Ernest C. Harriss. Ann Arbor: UMI Research Press, 1981.
Mozart, Leopold. The Art of the Violin (Gründliche Violinschule, 1769). Translated by Elisabeth Kaplan. Edited by Matthias Michael Beckmann. Salzburg: Kulturverlag Polzer, 2008.
———. “Vincenzo Panerai.” In La musica: dizionario, edited by Alberto Basso. Turin: Editrice Torinese, 1971.
———. “Traité des agrémens de la Musique.” Mercure de France, March 1771.
Panerai, Vincenzo. Principi di musica, nei quali oltre le antiche, e solite regole vi sono aggiunte altre figure di note, schiarimento di chiavi, scale dei tuoni, lettura alla francese, scale semplici delle prime regole del cimbalo, violino, viola, violoncello, contrabasso, oboe, e flauto. Venice: Antonio Zatta, [before 1780].
Pavanello, Agnese. “Preface.” In Giuseppe Tartini, Sonata in G minor for Violin and Basso Continuo ‘Devil’s Trill’, edited by Agnese Pavanello. Kassel: Bärenreiter, 1997.
Petrobelli, Pierluigi. “Tartini, Giuseppe.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie, 25:108–114. London: Macmillian, 2001.
———. Giuseppe Tartini – Le fonti biografiche. Venice: Universal Edition, 1968.
———. Tartini, le sue idee e il suo tempo. Roma: Liberia Musicale Italiana, 2001.
Pucer, Albert. Inventar zbirke – Inventario della collezione Giuseppe Tartini. Koper: Pokrajinski arhiv, 1993.
Pulver, Jeffrey. “Violin-Tutors of the 17th Century.” The Musical Times 64 (1923): 695–697.
———. “Violin Methods Old and New.” Proceedings of the Musical Association (1923–1924): 101–127.
Quantz, Johann Joachim. On Playing the Flute. Edited and translated by Edward R. Reilly. London: Faber and Faber, 1985.
———. Versuch einer Anweisung die Flöte traversiere zu spielen mit verschiedenen, zur Beförderung des guten Geschmacktes in der praktischen Musik dienlichen Anmerkungen begleitet, und mit Exempeln erläutert: Nebst XXIV. Kupfertafeln. Berlin: Johann Friedrich Voß, 1752.
Reilly, Edward R., “Introduction.” In Johann Joachim Quantz: On Playing the Flute, edited and translated by Edward R. Reilly, v–xxxv. London: Faber and Faber, 1985.
———. Quantz and his Versuch: Three Studies. New York: Galaxy Music Corporation, 1971.
Škrjanc, Radovan. Osnove klavirske in orgelske igre. Ljubljana: Muzikološki inštitut ZRC SAZU, 2010. http://ezb.ijs.si/fedora/get/ezmono:okoi/VIEW/.
———. “Prispevek k dataciji rokopisov skladb Jakoba Frančiška Zupana.” Muzikološki zbornik 34 (1998): 35–68.
———. “Jakob Frančišek Zupan (1734–1810).” In Metoda Kokole, Zgodovina glasbe na Slovenskem. Vol. 2. Glasba na Slovenskem od konca 16. do izteka 18. stoletja. Ljubljana: Založba ZRC, forthcoming.
Steinhardt, Milton. “Leopold Mozart's Violin Method.” PhD. diss., University of Rochester, 1937.
Stowell, Robin. “Leopold Mozart Revised: Articulation in Violin Playing during the Second Half of the Eighteenth Century.” In Perspectives on Mozart Performance, edited by R. Larry Todd and Peter Williams. Cambridge: Cambridge University Press, 1991.
Tartini, Giuseppe. A Letter from the Late Signor Tartini to Signora Maddalena Lombardini (An Important Lesson to Performers on the Violin). Translated by Dr. Burney. London: George Bigg, 1779.
———. Traité des agréments de la musique. English translation by Cuthbert Girdlestone. Edited by Erwin Jacobi. Celle and New York: Hermann Moeck Verlag, 1961.
———. Testamento di Giuseppe Tartini. Padova, 18. Febraro 1770.
Viverit, Guido. “Giuseppe Tartini e la proprietà intellettuale della musica nel Settecento.” De musica disserenda 10, no. 1 (2014): 19–30.
Zupančič, Maruša. “Violinism in the Territory of Present-Day Slovenia in Tartini’s Time.” De musica disserenda 10, no. 1 (2014): 141–157.
Prenosi
Objavljeno
Verzije
- 2022-06-08 (2)
- 2015-10-02 (1)
Kako citirati
Številka
Rubrike
Licenca
To delo je licencirano pod Creative Commons Priznanje avtorstva-Nekomercialno-Brez predelav 4.0 mednarodno licenco.
Avtorji jamčijo, da je delo njihova avtorska stvaritev, da v njem niso kršene avtorske pravice tretjih oseb ali kake druge pravice. V primeru zahtevkov tretjih oseb se avtorji zavezujejo, da bodo varovali interese založnika ter da bodo povrnili morebitno škodo.
Podrobneje v rubriki: Prispevki
