Naslovnica Michaela Praetoriusa
DOI:
https://doi.org/10.3986/dmd15.1-2.01Ključne besede:
Michael Praetorius, Giovanni Gabrieli, Johann Hermann Schein, naslovnica, nakazovanje dobePovzetek
Vsem dobro znana naslovna grafika, ki jo je Michael Praetorius uporabil v več svojih tiskanih delih, lahko služi kot izhodišče za razpravljanje o načinu izvajanja glasbe za velike sestave v Nemčiji v zgodnjem 17. stoletju. Razprava se osredotoča na upodabljanje skladateljev z zvitkom papirja v rokah, kar je primer prakse nakazovanja glasbene dobe v 17. stoletju, in ugotavlja, kako se ta praksa razlikuje od današnjega dirigiranja.Prenosi
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