Portrait and Propaganda at the Example of Emperor Charles VI

Authors

  • Friedrich Polleroß

DOI:

https://doi.org/10.3986/ahas.25.2.06

Keywords:

Emperor Charles VI., use of portraits, state portraits, ceremonial

Abstract

The paper discusses the public functions of the imperial portrait exemplary with the portraits of Charles VI, where we have many texts and images as sources. The main themes are: the use of portraits during the search for princely spouses and the ceremonies of engagement. After a few child portraits of Charles there was a flood and even a war of portraits during the Spanish War of Succession. The distribution of portrait miniatures and medals of grace and the use of state portraits during ceremonies played an important political role in the recognition of the new ruler by his different states. Also, in other festivities, paintings or sculptures of the monarch were presented in public. Single portraits or series with the portrait of Charles were collected in the “Imperial or Austrian halls” of town halls (Vienna, Brussels, Maribor), abbeys (Salem, Ottobeuren, St. Florian or Ossiach), and in the residences of church princes (Bamberg and Salzburg). Some examples can also be found in the castles of aristocrats (Forchtenstein, Znojmo) or official government and university buildings.

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Author Biography

Friedrich Polleroß

Universität Wien, Institut für Kunstgeschichte
Garnisongasse 13, Universitätscampus Hof 9
A-1090 Wien

Published

2020-12-08

How to Cite

Polleroß, F. (2020). Portrait and Propaganda at the Example of Emperor Charles VI. Acta Historiae Artis Slovenica, 25(2). https://doi.org/10.3986/ahas.25.2.06

Issue

Section

Articles