The Artistic Patronage of the Confraternities of Schiavoni and Albanians in the Marche Region. The Promotion of the “National” Saints in Pesaro

Authors

  • Giuseppe Capriotti Dipartimento di Scienze della Formazione dei Beni Culturali e del Turismo Università degli Studi di Macerata Contrada Vallebona, Piazzale Bertelli, 1 IT-62100 Macerata

DOI:

https://doi.org/10.3986/ahas.v23i2.7330

Keywords:

Schiavoni, Albanians, proto-national identity, St. Veneranda, St. Jerome, Pesaro, confraternity, Balkan studies, Gian Giacomo Pandolfi

Abstract

Starting in the 15th century, groups of Schiavoni and Albanians moved from the East Adriatic coast to the Marche region for several reasons. In order to fight suspicion and prejudice, these “unwanted minorities” would frequently gather in confraternities (well documented from Pesaro to Ascoli Piceno) that fostered their members’ integration into the civic and religious life of the new country. The essay examines the artistic patronage of these confraternities, which promoted the cult of specific saints, using Pesaro as an example. Here, the confraternity of Schiavoni is documented from 1477, and its chapel was decorated with a surviving early 16thcentury fresco, which also features the patron saint of the Illyrians, St. Jerome. On the other hand, the only evidence of an Albanian collective identity in Pesaro is represented by a 15th-century fresco of St. Veneranda, preserved in the church of a village bearing the same name. St. Veneranda is a Balkan saint, highly venerated throughout the Marche by the Albanians.

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Published

2019-03-09

How to Cite

Capriotti, G. (2019). The Artistic Patronage of the Confraternities of Schiavoni and Albanians in the Marche Region. The Promotion of the “National” Saints in Pesaro. Acta Historiae Artis Slovenica, 23(2). https://doi.org/10.3986/ahas.v23i2.7330

Issue

Section

Articles