Yugoslav: Toponym or Ideology in Miodrag B. Protić’s Art-Historical Systematization of 20th-Century Art

Authors

  • Jasmina Čubrilo Odeljenje za istoriju umetnosti Filozofski fakultet Univerzitet u Beogradu 18-20 Čika Ljubina Street SR-11000 Beograd

DOI:

https://doi.org/10.3986/ahas.v23i1.7323

Keywords:

Miodrag B. Protić, Yugoslav art, modern art, art criticism, art systematization, Museum of Contemporary Art in Belgrade

Abstract

The article analyzes the ideological context and historical circumstances in which Miodrag B. Protić initiated and realized the art-historical systematization of 20thcentury art from the territory of pre- and postwar Yugoslavia. The concept of “Yugoslav” in the syntagm “Yugoslav modern art” is problematized, interpreted here as a polysemy whose meanings were produced by various discourses about Yugoslavism; the effects of those found in Protić’s articulations are mapped and examined.

Downloads

Download data is not yet available.

Downloads

Published

2019-03-04

How to Cite

Čubrilo, J. (2019). Yugoslav: Toponym or Ideology in Miodrag B. Protić’s Art-Historical Systematization of 20th-Century Art. Acta Historiae Artis Slovenica, 23(1). https://doi.org/10.3986/ahas.v23i1.7323

Issue

Vol. 23 No. 1 (2018)

Section

Articles

License

Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.

More in: Submission chapter