Telesa, biopolitična kritika in ženska agentnost v sodobnih bio(medicinskih) umetniških delih
DOI:
https://doi.org/10.3986/ahas.30.1.07Ključne besede:
bioumetnost, človeške celice, medicinska umetnost, telo, sodobne umetnice, celice HeLa, posthumani feminizem, študije spolovPovzetek
V članku je predstavljen družbeni in kritični potencial bio(medicinskih) umetniških praks s poudarkom na načinih, kako umetnice uporabljajo telesa in žive celice kot sredstvo biopolitične kritike. Z uporabo teoretičnega okvira ekofeminizma in posthumanega feminizma avtorica pristopa k izbranim bio(medicinskim) umetniškim delom sodobnih umetnic, ki vsebujejo žive človeške celice ali v katerih se povezujejo z drugimi vrstami. V članku je prikazano, kako so ta dela kritična do številnih družbenozgodovinskih in biopolitičnih tem, kot so diskriminacija, povezana s krvjo in krvnimi rodovi, uničevanje avtohtonih skupnosti, ekocid, biobanke, rasna in spolno pogojena superiornost ter avtoriteta človeka nad nečloveškimi in nadčloveškimi bitji. Takšne umetniške prakse so zelo pomembne za študije spolov in študije umetniških raziskav v biokulturah in tehnoznanosti, njihova interdisciplinarna narava pa spreminja reprezentacijo in razumevanje teles v umetnosti in vsakdanji kulturi.
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