Slovenian Folk-Pop Music as Intangible Cultural Heritage: A Critical Analysis of the Discourses and Practices of Heritage Gatekeepers in Slovenia and Slovenian Diasporas

Authors

DOI:

https://doi.org/10.3986/dd.2023.2.05

Keywords:

folk-pop music, heritage gatekeepers, hybridity, Slovenians abroad, Slovenia

Abstract

Based on thirteen interviews with foreign, national, regional, and local folk-pop museum and festival representatives, the article unpacks in what ways these heritage gatekeepers understand folk-pop music as heritage. The authors further analyze to what extent the definitions of popular-music genres as cultural heritage in the diasporas and Slovenia coincide or differ. The analysis shows that the gatekeepers’ understanding of folk-pop as heritage tends to be broader than their heritage activities indicate. Moreover, stakeholders’ assessments of the impact of Slovenian diasporas abroad and foreign influences on Slovenian culture significantly affect their understanding of folk-pop as heritage.

Downloads

Download data is not yet available.

References

Baily, J. & Collyer, M. (2006). Introduction: music and migration. Journal of Ethnic and Migration Studies, 32(2), 167–182.

Bennett, T. (1995). The Birth of the Museum: History, Theory, Politics. Routledge.

Bobnič, R., Majsova, N., & Šepetavc, J. (2022). What is the affect of a merry genre?: The sonic organization of Slovenian folk pop as a (non)Balkan sound. Journal of sonic studies, 23(1). https://www.researchcatalogue.net/view/1599014/1599015

Boura, S. (2005). Imagining homeland: identity and repertories of a Greek labour-immigrant musician in Germany. Forum: Qualitative Social Research, 7(3). https://doi.org/10.17169/fqs-7.3.141

Brandellero, A. & Janssen, S. (2014). Popular music as cultural heritage: scoping out the field of practice. International Journal of Heritage Studies, 20(3), 224–240. https://doi.org/10.1080/13527258.2013.779294

Cvetko, I. (2007). Zvoki Slovenije: od ljudskih godcev do Avsenikov: razstava. Slovenski etnografski muzej.

Debevec, C. F. (2014). Slovenian Recordings Made in America Prior to World War II. Traditiones, 43(2), 97–117. https://doi.org/10.3986/Traditio2014430205

Gligorijević, J. (2021). Nation Branding in Two Major Serbian Music Festivals, Exit and Guča. Journal of Popular Music Studies, 33(1), 94–120.

Hafner-Fink, M., Kurdija, S., Malnar, B., Uhan, S., & Stankovič, P. (2022). Slovensko javno mnenje, 2021/1: ogledalo javnega mnenja, stališča o zdravju in zdravstvu (ISSP 2021), stališča o tožilstvu in pravosodju, šport, glasba. Fakulteta za družbene vede, Arhiv družboslovnih podatkov. https://doi.org/10.17898/ADP_SJM211_V1

Hafstein V. (2015). Making Intangible Heritage. El Condor Pasa and other Stories from UNESCO. Indiana University Press.

Hardwick-Franco, K. (2010). Slovenian folk music and identity maintenance in Port Lincoln, South Australia: Thesis. University of Adelaide, Elder Conservatorium of Music.

Harrison, R. (2013). Heritage: critical approaches. Routledge.

Hlede, A. (2020). Števerjan je preprosto treba doživeti! Števerjanski vestnik, LI(2), 7.

Hobsbawm, E. (1983). Mass-Producing Traditions: Europe, 1870–1914. V E. Hobsbawm & T. Ranger (ur.), The Invention of Tradition (str. 263–307). Cambridge University Press.

Hofman, A. (2014). Music Heritage in Relocation: The “Guča na Krasu” Festival. Dve domovini / Two Homelands, 39(2014), 73–87.

Kirshenblatt-Gimblett, B. (1998). Destination Culture: Tourism, Museums, and Heritage. University of California Press.

Klein, E. (2005). Maltese Australian Ghana performance and debates of home. Journal of Intercultural Studies, 26(1–2), 57–73.

Knific, B. (2005). Kostumiranje narodno-zabavnih ansamblov. Traditiones, 34(2), 155–177.

Kunej, D., & Kunej, R. (2016). Glasba z obeh strani: Gramofonske plošče Matije Arka in Hoyer tria. ZRC SAZU.

Lidskog, R. (2016). The role of music in ethnic identity formation in diaspora: A research review. International Social Science Journal, 66, 23–38. https://onlinelibrary.wiley.com/doi/10.1111/issj.12091

Lojze Slak. (b. n. d.). Pridobljeno na https://www.lojzeslak.com

Macdonald, S. (2013). Memorylands. Heritage and Identity in Europe today. Routledge.

Majsova, N. (2016). The aesthetics of Slovene popular music for different generations of Slovene listeners: the contribution of audience research. Popular Music and Society, 39(1), 76–96. https://doi.org/10.1080/03007766.2015.1061353

Majsova, N., & Šepetavc, J. (2023). Slovenska narodnozabavna glasba: Kulturna dediščina in turistični produkt skozi perspektivo deležnikov (2022). Fakulteta za družbene vede, Arhiv družboslovnih podatkov. https://doi.org/10.17898/ADP_NZG221_V1

March, R. (2019). American Polka in the Media: From Next to Nothing to 24/7. Transatlantica, 1(2019). https://doi.org/10.4000/transatlantica.14042

Molek, N. (2017a). Avsenik in Buenos Aires: Transnational identification processes through polka performances among the descendants of Slovenian political exiles in Argentina. Studia ethnologica Croatica, 29(1), 357–381. https://doi.org/10.17234/SEC.29.13

Molek, N. (2017b). “Songs from the homeland” – popular music performance among descendants of Slovenian refugees in Argentina: the case of Slovenski Inštrumentalni Ansambel. Dve domovini / Two Homelands, 46(2017), 23–37.

Narodno-zabavna glasba. (2017). Koordinator varstva nesnovne kulturne dediščine. http://www.nesnovnadediscina.si/sl/register/narodno-zabavna-glasba

Register nesnovne kulturne dediščine. (b. n. d.). OPSI – Odprti podatki Slovenije, Republika Slovenija, Ministrstvo za javno upravo. https://podatki.gov.si/dataset/register-zive-nesnovne-kulturne-dediscine

Robinson, M., & Silverman, H. (2015). Mass, modern, and mine: heritage and popular culture. V M. Robinson & H. Silverman (ur.), Encounters with Popular Pasts (str. 1–30). Springer. https://doi.org/10.1007/978-3-319-13183-2_1

Shuval, J. (2000). Diaspora migration: definitional ambiguities and a theoretical paradigm. International Migration, 38(5), 41–56.

Sivec, I. (1998). Vsi najboljši muzikanti. I. del – Od začetka do leta 1973. Založba ICO.

Smith, L. (2006). Uses of Heritage. Routledge.

Stanković, P. (2014). When alternative ends up as mainstream: Slovene popular music as cultural heritage. International Journal of Heritage Studies, 20(3), 297–315. https://doi.org/10.1080/13527258.2012.754368

Stanković, P. (2021). Simbolni imaginarij sodobne slovenske narodnozabavne glasbe. Založba FDV.

Stanković, P., & Bobnič, R. (2022). Občinstva sodobne slovenske narodnozabavne glasbe v kulturološki perspektivi. Družboslovne razprave, 38(100), 131–162. https://doi.org/10.51936/dr.38.100.131-162

Šabec, K. (2023). Between Home and the World: (Banal) Nationalism and the Absence of Otherness in Slovenian Folk-Pop Music. Družboslovne razprave, 39(103), 105–126. https://doi.org/10.51936/dr.39.102.105-126

Van der Hoeven, A., & Brandellero, A. (2015). Places of popular music heritage: the local framing of a global cultural form in Dutch museums and archives. Poetics, 51(2015), 37–53. https://doi.org/10.1016/j.poetic.2015.05.001

Van der Laarse, R. (2019). Europe’s Peat Fire: Intangible Heritage and the Crusades for Identity. V T. Lähdesmäki, L. Passerini, S. Kaasik-Krogerus & I. van Huis (ur.), Dissonant Heritages and Memories in Contemporary Europe (str. 79–134). Palgrave Macmillan.

Zevnik, L. (2014). Mapping popular music heritage in Slovenia. International Journal of Heritage Studies, 20(3), 281–296. https://doi.org/10.1080/13527258.2012.727454

Žigon, Z. (2004). Preservation of ethnic identity among Slovenian emigrants in the era of globalization. Dve domovini / Two Homelands, 19(2004), 25–35.

Published

2023-07-22

How to Cite

Šepetavc, J., & Majsova, N. (2023). Slovenian Folk-Pop Music as Intangible Cultural Heritage: A Critical Analysis of the Discourses and Practices of Heritage Gatekeepers in Slovenia and Slovenian Diasporas. Two Homelands, 2023(58). https://doi.org/10.3986/dd.2023.2.05

Issue

Section

Articles