Artists’ mobility in the EU: Between Opportunities and Impediments

Authors

DOI:

https://doi.org/10.3986/dd.2017.2.05

Keywords:

mobility, artists’ mobility, European Union, impediments to mobility

Abstract

Mobility, especially labour mobility, is being promoted and highly praised as an economic and political cornerstone of the European Union, essential for its future development and growth. At the same time, people on the move are faced with many impediments to mobility, artists active in transnational art worlds being particularly vulnerable in this respect. Analysing and comparing various written sources (text and hypertext), the author focuses on the international mobility of artists in and to the European Union. The aim of the article is twofold: to outline artists’ mobility as a particular type of mobility, and to highlight the divergences between praising of the mobility concept on the decision-making level and the ‘naturalization’ of mobility in academic discourse on one side and the critical assessment of artists’ mobility and impediments to it by art practitioners and experts on the other.

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Author Biography

Kristina Toplak

PhD in Ethnology, Research Fellow, Scientific Research Centre of the Slovenian Academy of Sciences and Arts, Slovenian Migration Institute, Novi trg 2, SI-1000 Ljubljana

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Published

2017-02-11

How to Cite

Toplak, K. (2017). Artists’ mobility in the EU: Between Opportunities and Impediments. Two Homelands, (46). https://doi.org/10.3986/dd.2017.2.05

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Section

Articles