Štirje »proti« časi: sovjetski, ameriški, demokratični in emigrantski modeli plesa na bolgarski način
DOI:
https://doi.org/10.3986/Traditio2020490204Ključne besede:
urbani ljudski plesi, fluidna narodna pripadnost, medkulturna komunikacija, socializem, nežen protest, refleksivna pristnostPovzetek
Urbano zanimanje za tradicionalne bolgarske plese je oblikovalo različne resničnosti v Bolgariji in v tujini pred in po letu 1989. Avtorica razkriva subtilne proteste v bolgarskem načinu plesanja; pomen upora razloži s štirimi različnimi konteksti, posebej niansirano pa analizira sovjetsko obdobje. Ples kot pojav je opredeljen kot refleksivni izraz identitete, ki omogoča fluidno narodno pripadnost, in je zdaj v času epidemije tudi ena od pomembnih preživetvenih strategij.
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