Uprizoritve v prazničnih obdobjih leta v povezavi s konceptom “kakor da”
DOI:
https://doi.org/10.3986/Traditio2012410102Ključne besede:
as if, imaginary, festivals, calendar, play // kakor da (as if), imaginarno, prazniki, koledar, igraPovzetek
While a researcher may be actively involved in fieldwork, the full understanding that both researcher and performer desire is bound to involve a theoretical dimension, which becomes especially vital when reference has to be made to the past. Performances at festival periods in the year are explored in terms of the relationship between an actual “as is” world and an “as if ” world of the imagination.
***
Ko se raziskovalec aktivno ukvarja s terenskim delom, je popolno razumevanje, ki si ga želita tako raziskovalec kot ustvarjalec, neločljivo prepleteno s teoretsko dimenzijo. Ta postane še posebej pomembna, ko se navežemo na preteklost. Izvedbe v prazničnih obdobjih skozi leto so raziskane v smislu razmerja med dejanskim svetom »kakor da« (as is) ter med svetom domišljije »kakor da« (as if).
Prenosi
Literatura
Danaher, Kevin. 1972. The Year in Ireland: Irish Calendar Customs. Dublin: Mercier Press.
Evans-Pritchard, E. E. 1956. Nuer Religion. Oxford: Oxford University Press.
Gennep, Arnold van. 1943. Manuel de folklore français contemporain. Tome 1. Paris: Editions Auguste Picard.
Grabner, Elfriede. 1968. Martinisegen und Martinigerte in Österreich. Ein Betrag zur Hirtenvolkskunde des Südostalpenraumes, Wissenschaftliche Arbeiten aus dem Burgenland, Heft 39 (Kulturwissenschaften, Heft 14). Eisenstadt: Burgenländischen Landesmuseum.
Hornby, Hugh. 2008. Uppies and Downies: The extraordinary football games of Britain. London: English Heritage.
Huizinga, Johan. 1998 (1949). Homo Ludens: A Study of the Play-Element in Culture. London: Routledge.
Lawson, E. Thomas and Robert N. McCauley. 1990. Rethinking Religion: Connecting Cognition and Culture. Cambridge: Cambridge University Press.
Lyle, Emily. 1990. Winning and Losing in Seasonal Contests. Cosmos 6, 161–171.
Lyle, Emily. 2008. The Luck Contest in the Ritual Year. The Ritual Year 3: The Ritual Year and History, 101–105.
Lyle, Emily. 2009. The Celtic Year and Gender. Cosmos 25 and The Ritual Year 4: The Ritual Year and Gender (joint issue), 181–189.
Lyle, Emily, ed. 2010. Galoshins Remembered: A Penny Was a Lot in These Days. Edinburgh: European Ethnological Research Centre in association with National Museums of Scotland.
Mencej, Mirjam. 2005. The Slavic Summer/Winter Opposition in the Pastoral Year and the Christian and Pre-Christian Figures Identifiable as the Master of the Wolves. Cosmos 21, 79–111.
Needham, Rodney. 1972. Belief, Language and Experience. Oxford: Basil Blackwell.
Ó Catháin, Séamas. 1995. The Festival of Brigit: Celtic Goddess and Holy Woman. Blackrock: DBA Publications.
Ogden, C. K. 2000 (1937). Bentham’s Theory of Fictions. London: Routledge.
Pavel, Thomas G. 1986. Fictional Worlds. Cambridge, MA; London: Harvard University Press.
Rees, Alwyn and Brinley Rees. 1961. Celtic Heritage: Ancient Tradition in Ireland and Wales. London: Thames and Hudson.
Seligman, Adam B., Robert P. Weller, Michael J. Puett and Bennett Simon. 2008. Ritual and Its Consequences: An Essay on the Limits of Sincerity. New York: Oxford University Press.
Smythe, William E. 2005. On the Psychology of “As If”. Theory Psychology 15: 283–303.
Sperber, Dan. 1982. Apparently Irrational Beliefs. In: Hollis, Martin and Steven Lukes (eds), Rationality and Relativism. Oxford: Basil Blackwell, 149–180.
Vaihinger, Hans. 1911. Die Philosophie des als ob: System der theoretischen, praktischen und religiösen Fiktionem der Menschheit auf Grund eines idealistichen Positivismus. Berlin: Reuther and Reichard.
Vaihinger, Hans. 1924. The Philosophy of “As if ”: A System of the Theoretical, Practical and Religious Fictions of Mankind. London: Kegan Paul, Trench, Trubner and Co.
Walton, Kendall L. 1990. Mimesis as Make-believe: On the Foundations of the Representational Arts. Cambridge, MA: Harvard University Press.
Walton, Kendall L. 2008. Marvelous Images: On Values and the Arts. Oxford: Oxford University Press.
Prenosi
Objavljeno
Kako citirati
Številka
Rubrike
Licenca
Avtorji jamčijo, da je delo njihova avtorska stvaritev, da v njem niso kršene avtorske pravice tretjih oseb ali kake druge pravice. V primeru zahtevkov tretjih oseb se avtorji zavezujejo, da bodo varovali interese založnika ter da bodo povrnili morebitno škodo.
Podrobneje v rubriki: Prispevki
