Na drugi strani meje žanra

Antropološka analiza kompromisa kot strategije jazz glasbenikov

Avtorji

  • Ljubica Milosavljević Univerza v Beogradu, Filozofska fakulteta, Oddelek za etnologijo in kulturno antropologijo, Čika Ljubina 18-20, SRB - 11000 Beograd
  • Vladimira Ilić Univerza v Beogradu, Filozofska fakulteta, Oddelek za etnologijo in kulturno antropologijo, Čika Ljubina 18-20, SRB - 11000 Beograd

DOI:

https://doi.org/10.3986/Traditio2019480302

Ključne besede:

jazz glasbeniki, strategija delovanja, kompromis, glasbeni žanri, funkcionalno delo, Srbija

Povzetek

Terensko delo v Beogradu poleti in jeseni 2017 je bilo osredinjeno na jazz glasbenike, na njihove strategije delovanja, predvsem na kompromis, tj. igranje drugih, nejazzovskih priljubljenih glasbenih zvrsti. Takšna poslovna taktika (function work) je posledica stalno negotovega položaja jazz glasbenikov, pri čemer so se strateški cilji sčasoma spreminjali glede na naravo te negotovosti. Po 2. svetovni vojni je zaradi zaradi (tujih) političnih in ideoloških vplivov preseganje žanrske meje omogočilo ohranitev poklica: od 60. let pa je zagotavljalo za preživetje številnih jazz glasbenikov. Poustvarjanje narodnozabavne glasbe je ena od strategij, ki jih avtorici analizirata v širšem družbenopolitičnem, družbenoekonomskem in strokovnem kontekstu.

Prenosi

Podatki o prenosih še niso na voljo.

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Prenosi

Objavljeno

2020-02-16

Kako citirati

Milosavljević, L., & Ilić, V. (2020). Na drugi strani meje žanra: Antropološka analiza kompromisa kot strategije jazz glasbenikov. Traditiones, 48(3), 21–41. https://doi.org/10.3986/Traditio2019480302

Številka

Letn. 48 Št. 3 (2019): RAZPRAVE / ARTICLES

Rubrike

RAZPRAVE / ARTICLES - Uredila / Edited by Jurij Fikfak & Thomas C. Wolfe

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