Charley Patton med sakralnim in profanim
DOI:
https://doi.org/10.3986/Traditio2019480208Ključne besede:
blues, gospel, spiritual, posvetna in sakralna glasba, glasbena industrija, gramofonske ploščePovzetek
Prispevek obravnava sakralne skladbe Charleyja Pattona, posnete med letoma 1929 in 1934 na gramofonskih ploščah z 78 o/min. Na njih so dokumentirane Pattonove številne glasbene značilnosti. Moč njegove glasbe je na primer pogosto najočitnejša v njegovih spiritualih in gospelih. Avtor preučuje ločnico med posvetno in sakralno glasbo v Pattonovi glasbeni zapuščini in širše v afroameriški kulturi, pri čemer se osredinja na prehajanja te ločnice in prepletanje glasbenih slogov ter ugotavlja, da se je Patton v glasbenih izvedbah zlahka sprehajal med sakralnim in posvetnim.
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