Nedeljsko horo v Bolgariji danes
DOI:
https://doi.org/10.3986/Traditio2023520205Ključne besede:
tradicija, rekreativni plesi, ljudski fitnes, gibanje »nazaj h koreninam«, folkloraPovzetek
Članek se osredinja na pojav srečanj ob ljudskem plesu na prostem, ki v bolgarskih mestih potekajo vsako nedeljo popoldne. Sodobno nedeljsko horo (skupen izraz označuje dogodek, ob katerem se ob nedeljah popoldne na odprtih javnih površinah izvajajo skupinski plesi v koloni-kolu) kot pojav družabnega plesa od spodaj navzgor je razglašen za del gibanja »nazaj h koreninam« in je skupaj z rekreativnimi plesnimi klubi od leta 2015 postal pomemben del celotnega bolgarskega postkomunističnega konteksta ljudskega plesa in glasbe.
Prenosi
Literatura
Buchanan, Donna A. 2006. Performing Democracy: Bulgarian Music and Musicians in Transition. Chicago: University of Chicago Press.
Clifford, James. 1988. The Predicament of Culture. Twentieth-Century Ethnography, Literature, and Art. Cambridge, Massachusetts, and London, England: Harvard University Press.
Ćaleta, Joško and Tvrtko Zebec. 2017. Urban Context for Rural Music and Dance Patterns: A Croatian Case Study. In Proceedings of the 29th Symposium of the ICTM Study Group on Ethnochoreology, ed. Kendra Stepputat, 142–149. Herzogenrath: Shaker Verlag.
Dzheneva, Daniela. 2015. Balgarskiyat stsenichen folkloren tants – tendentsii za razvitie [Bulgarian Stage Folk Dance – Development Trends]. Muzikalni horizonti 1: 23–25.
Dzhudzhev, Stoyan. 1945. Balgarska narodna horeografiya [Bulgarian Folk Choreography]. Sofia: Publishing House of the Ministry of Public Education.
Genov, Paun.1966. S lyubov i v truda, i na stsenata [With Love Both on the Job, as well as on the Stage]. Sofia: Profizdat.
Goldschmidt, Ene. 1964. Problems of Dance Creativity. Sofia: Profizdat.
Grancharova, Evgeniya. 2012. Tantsovoto obutchenie prez ХХ vek – charakteristiki i etapi na razvitie [Dance Education in the 20th Century – Characteristics and Development Stages]. Bulgarian Folklore 1: 80–88.
Grancharova, Evgeniya. 2018. Na armane s tapane: festival na traditsionnite hora w grad Razlog [On the Threshing Floor with Drums: Festival of the Traditional Dances in Razlog]. Bulgarian Folklore 2: 301–308.
Ilieva, Anna. 1971. Balgarskite narodni tantsi i tyahnata muzika [Bulgarian Folk Dances and Their Music]. Bulgarian Folklore 1: 91–126.
Ilieva, Anna. 2007. Teoriya I analiz na folklorniya tants. Printsipi na formoobrazuvaneto v balgarskiya tantsov folklor [Theory and Analysis of the Folk Dance. Formation Principles in Bulgarian Dance Folk]. Sofia: Marin Drinov Academic Publishing House.
Ivanova-Nyberg, Daniela. 2011. Sastavat za narodni tantsi kato kulturno yavlenie v Balgariya [Bulgarian Folk Dance Ensemble as a Cultural Phenomenon]. Sofia: Mars 09.
Ivanova-Nyberg, Daniela. 2016. Bulgarian Folk Dance Club Repertoir Ten Years Later: What Genre? Where Shall We Put It? In Proceedings of the 5th Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, eds. Ivanka Vlaeva, Liz Mellish, Lozanka Peycheva, Nick Green, and Ventsislav Dimov, 177–183. Blagoevgrad: University Publishing House "Neofit Rilski".
Kaeppler, Adrienne L. 1999. The Mystique of Fieldwork. In Dance in the Field: Theory, Methods and Issues in Dance Ethnography, ed. Theresa Buckland, 13–25. Basingstoke: Palgrave Macmillan.
Karakusheva, Slavka. 2013. Da badesh ili da ne badesh…balgarin? [To Be or Not to Be… Bulgarian?]. URL: https://www.seminar-bg.eu/spisanie-seminar-bg/broy8/555-da-badesh-ili-da-ne-badesh-balgarin.html (accessed 18.5.2023).
Katsarova-Kukudova, Rayna. 1955. Balgarski tantsov folklor [Bulgarian Dance Folklore]. Sofia: Science and Art State Publishing House.
Kaufman, Dimitrina. 1982. Razvitieto na instrumentalnata narodna muzika v edin rayon na Balgariya prez poslednite 100 godini [The Development of Instrumental Folk Music in One Area of Bulgaria during the Last 100 Years]. In Problems of Bulgarian Folklore 6 (Folklore and History), 104–112. Sofia: Bulgarian Academy of Sciences Publishing House.
Kealiinohomoku, Joann. 2001. New Functions and Contexts for Old Dance Cultures. In Proceedings of the 21st Symposium of the ICTM Study Group on Ethnochoreology, eds. Elsie Ivancich Dunin and Tvrtko Zebec, 197–201. Zagreb: Institute of Ethnology and Folklore Research.
Kunej, Rebeka. 2020. From Kolo to Polka: Folk Dance Ensembles in Slovenia after 1991. In Tradition and Transition: A Selection of Articles Developed from Paper Presentations at the First and the Second Symposia of the ICTM Study Group on Music and Dance of the Slavic World, ed. Sonja Zdravkova Djeparoska, 15–28. Skopje: ICTM National Committee of Macedonia.
Kurdova, Dilyana. 2021. HORO-teque in Bulgaria. In Proceedings of the 7th Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, eds. Liz Mellish, Nick Green, and Belma Oğul, 125–135. Trabzon: Trabzon University State Conservotary.
Malinowski, Bronislaw. 2004. Nauchna theoria па kulturata. Functionalnata Theoria [А Scientific Theory of Culture. Functional Theory]. Sofia: Panorama plyus, Iztok-Zapad.
Nahachewsky, Andriy. 2012. Ukrainian Dance. North Carolina, Jefferson: McFarland & Company Inc.
Naidenova, Goritza. 2017. Agitki, horove i sedenki: parvoto desetiletie na upravlyavanata hudozhestvena samodeynost v Balgariya (1944–1954) [Agitprop Groups, Choirs and Working Bees: The First Decade of Administered Amateur Arts in Bulgaria (1944–1954)]. Balgarsko muzikoznanie 1: 20–43.
Peycheva, Lozanka. 2008. Mezhdu seloto i vselenata: starata folklorna muzika ot Balgariya i novite vremena [Between the Village and the Universe: Old Folk Music from Bulgaria in Modern Times]. Sofia: Marin Drinov Academic Publishing House.
Racheva, Iskra, Anna Ilieva, and Svetlana Zaharieva. 1998. Istoriya na balgarskata muzikalna kultura [A History of Bulgarian Music Culture Part I]. Sofia: Marin Drinov Academic Publishing House.
Shtarbanova, Anna. 1995a. Tantsat kato patuvane v sveta na sakralnoto [Dance as a Journey in the World of the Sacred]. Bulgarian Folklore 1–2: 64–73.
Shtarbanova, Anna. 1995b. Tyalo i tants [Body and Dance]. Bulgarian Folklore 4: 68–77.
Shtarbanova, Anna. 1996. ʻFineʼ Dancing: From Sacred to the Stylistic. In Dance, Style, Youth, Identities. Proceedings of the 19th Symposium of the ICTM Study Group on Ethnochoreology, eds. Theresa Buckland and Georgiana Gore. Strážnice: Institute of Folk Culture.
Shtarbanova, Anna. 2013. Problemi na tantsovoto kulturno nasledstvo – identifikatsiya i zhiva praktika [Problems of Dance Cultural Heritage – Identification and Practice]. Bulgarian Folklore 1: 88–97.
Zhivkov, Todor I. 1981. Folklor i savremennost [Folklore and Modernity]. Sofia: Science and Art Publishing House.
Zhivkov, Todor I. 1982. Za teatralniya harakter na folklornata obrednost [On the Theatrical Character of Folklore Rituality]. Bulgarian Folklore 4: 47–53.
Prenosi
Objavljeno
Kako citirati
Številka
Rubrike
Licenca
To delo je licencirano pod Creative Commons Priznanje avtorstva 4.0 mednarodno licenco.
Avtorji jamčijo, da je delo njihova avtorska stvaritev, da v njem niso kršene avtorske pravice tretjih oseb ali kake druge pravice. V primeru zahtevkov tretjih oseb se avtorji zavezujejo, da bodo varovali interese založnika ter da bodo povrnili morebitno škodo.
Podrobneje v rubriki: Prispevki
