The Performance of a Cult of the Senses. A Feast of Fans at Jim Morrison’s Grave in Paris

Authors

  • Peter Jan Margry Meertens Institute, Royal Netherlands Academy of Arts and Sciences, P.O. Box 94264 - NL -1090 GG Amsterdam

DOI:

https://doi.org/10.3986/Traditio2007360110

Keywords:

Jim Morrison [rock star], commemoration, senses, cultus // Jim Morrison [rokovski zvezdnik], komemoracija, čuti, kult

Abstract

This article deals with the different ways fans commemorate and venerate the American rock star and poet Jim Morrison (1943-1971), at his grave at Pere Lachaise cemetary in Paris and for which the senses play an important role.

***

Avtor razpravlja o različnih načinih, na katere oboževalci komemorirajo in častijo ameriškega rokovskega zvezdnika in pesnika Jima Morrisona (1943-1971) na njegovem grobu na pariškem pokopališču Père Lachaise. Pri tem imajo čuti zelo pomembno vlogo.

Downloads

Download data is not yet available.

References

Bendix, Regina. 2005. Introduction: Ear to Ear, Nose to Nose, Skin to Skin. The Senses in Comparative Ethnographic Perspective. Etnofoor 18 (1): 3–14.

Campbell, Michelle. 1994. Jim Morrison’s Resting Place in Paris. North Atlantic Review 6: 2–49.

Campbell, Michelle. 2001. Jim Morrison Revisited. North Atlantic Review 13: 1–46.

Densmore, John. 1990. Riders on the Storm. My Life with Jim Morrison and The Doors. New York: Delacorte.

Doss, Erika. 1999. Elvis Culture. Fans, Faith & Image. Lawrence: University Press of Kansas.

Eade, John and Michael J. Sallnow (eds.). 2000. Contesting the Sacred. The Anthropology of Christian Pilgrimage. Urbana and Chicago: University of Illinois Press [London: Routledge, 1991].

Fournier, Patricia and Luis Arturo Jiménez. 2004. La familia de Jim Morrison. El culto al Rey Lagarto entre seguidores, admiradores y fanáticos. In: Díaz Brenis, Elizabeth and Elio Masferrer (eds.), X Congresso Latinoamericano sobre Religión y Etnicidad. Pluralismo Religioso y Transformaciones Sociales. Mexico: ALER [Electronic proceedings].

Fournier, Patricia and Luis Arturo Jiménez. 2005. Representaciones e interpretaciones del chamanismo en el rock clásico. El caso de Jim Morrison y The Doors. In: Fournier, Patricia and Walburga Wiesheu (eds), Arqueologia y Antropologia de las Religiones. Mexico City: Escuela Nacional de Antropología, 293–314.

Henley, John. 2004. Cemetery staff want to show rock star the door. The Guardian, 4 May.

Hopkins, Jerry and Danny Sugerman. 1980. No one here gets out alive. York: Warner Books.

Huxley, Aldous. 1954. The Doors of Perception. London: Chatto & Windus.

Margry, Peter Jan. 2007. Jim Morrison. Idool en rolmodel. In: van Eijnatten, Joris, Fred van Lieburg and Hans de Waardt (eds.), Heiligen of Helden. Opstellen voor Willem Frijhoff. Amsterdam: Bert Bakker, 377–392.

Reed, J. D. and Maddy Miller. 2005. Stairway to Heaven. The Final Resting Places of Rock’s Legends. New York: Wenner Books.

Riordan, James, and Jerry Prochnicky. 1991. Break on through. The Life and Death of Jim Morrison. New York: W. Morrow & Co.

Söderholm, Stig. 1990. Liskokuninkaan mytologia. Rituaali ja rocksankarin kuolema: Jim Morrison-kultin etnografinen tulkinta. Helsinki: Suomalaisen Kirjallisuuden Seura.

Downloads

Published

12.10.2007

How to Cite

Margry, P. J. (2007). The Performance of a Cult of the Senses. A Feast of Fans at Jim Morrison’s Grave in Paris. Traditiones, 36(1), 141–152. https://doi.org/10.3986/Traditio2007360110

Issue

Section

Pilgrimage Places / Romarski kraji