CHARLEY PATTON MED SAKRALNIM IN PROFANIM
CHARLEY PATTON BETWEEN SACRAL AND PROFANE

Jane Weber

DOI: https://doi.org/10.3986/Traditio2019480208

Abstract

Prispevek obravnava sakralne skladbe Charleyja Pattona, posnete med letoma 1929 in 1934 na gramofonskih ploščah z 78 o/min. Na njih so dokumentirane Pattonove številne glasbene značilnosti. Moč njegove glasbe je na primer pogosto najočitnejša v njegovih spiritualih in gospelih. Avtor preučuje ločnico med posvetno in sakralno glasbo v Pattonovi glasbeni zapuščini in širše v afroameriški kulturi, pri čemer se osredinja na prehajanja te ločnice in prepletanje glasbenih slogov ter ugotavlja, da se je Patton v glasbenih izvedbah zlahka sprehajal med sakralnim in posvetnim.

***

The article introduces Charley Patton’s religious songs on 78 rpm gramophone records recorded in the period from 1929 to 1934. Almost all of Patton’s varied musical skills come out on those records. For example, the power of his music is often most evident in his spiritual and gospel work. The author writes about the divide between secular and sacred music in Afro-American culture and particularly in Patton’s legacy. The author was also mainly interested in crossing of that dividing line and in blending of various styles, and he ascertained that in his performances Patton easily crossed the line of separation between sacred and profane.

Keywords

blues; gospel; spiritual; posvetna in sakralna glasba; glasbena industrija; gramofonske plošče // blues; gospel; spiritual; secular and sacred music; music industry; phonograph records

Full Text:

PDF

References

Amalietti, Peter. 2011. Sodobna glasbena teorija. Ljubljana: Amalietti in Amalietti.

Calt, Stephen in Gayle Wardlow. 1988. King Of The Delta Blues: The Life And Music Of Charlie Patton. Newton: Rock Chapel Press.

Conforth, Bruce in Gayle Dean Wardlow. 2019. Up Jumped The Devil: The Real Life of Robert Johnson. Chicago: Chicago Review Press.

Dixon, Robert M. W. in John Godrich. 1970. Recording The Blues. London: Studio Vista.

Dixon, Robert M. W., John Godrich in Howard Rye. 1997. Blues & Gospel Records 1890–1943. Oxford: Oxford University Press.

Evans, David. 1982. Big Road Blues: Tradition & Creativity in the Folk Blues. Berkeley: University of California Press.

Evans, David. 1993. Goin’ Up The Country: Blues in Texas and the Deep South. V: Lawrence Cohn (ur.), Nothing But the Blues: The Music and the Musicians. New York, London in Paris: Abbeville Press, 33–85.

Evans, David. 2005. Osebna komunikacija z Davidom Evansom. 27. 5.

Evans, David. 2010. Osebna komunikacija z Davidom Evansom. 27. 8. (e-pošta).

Evans, David. 2018. Charley Patton: The Conscience Of The Delta. V: Robert Sacré (ur.), Charley Patton: Voice Of The Mississippi Delta. Jackson: University Press Of Mississippi, 23–137.

Fahey, John. 1970. Charley Patton. London: Studio Vista.

Feldmann, Tom. 2019. Osebna komunikacija s Tomom Feldmannom. 11. 2. (e-pošta).

Ferris, William. 1970. Blues From The Delta. London: Studio Vista.

Gronow, Pekka. 2014. The World’s Greatest Sound Archive. Traditiones 43 (2): 31–49. DOI: https://doi.org/https://doi.org/10.3986/Traditio2014430202">10.3986/Traditio2014430202

Grossman, Stefan. 1969. Delta Blues: Oak Anthology of Blues Guitar. New York: Oak Publications.

Harris, Michael W. 1992. The Rise Of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church. New York in Oxford: Oxford University Press.

Hawkins, Ernie. 2004. Gospel Guitar of Rev. Gary Davis. Sparta: Stefan Grossman’s Guitar Workshop (Mel Bay).

Humphrey, Mark A. 1993. Holy Blues: The Gospel Tradition. V: Lawrence Cohn (ur.), Nothing But The Blues: The Music And The Musicians. New York, London in Paris: Abbeville Press, 107–149.

Kunej, Drago. 2010. Kako hitro se vrtijo plošče z 78 o/min? Muzikološki zbornik 46 (2): 175–184.

Kunej, Drago. 2014a. Med kodami skrita zvočna dediščina Slovencev. Glasnik SED 54 (1–2): 22–28.

Kunej, Drago. 2014b. Gramofon v službi sakralne glasbe? Muzikološki zbornik 50 (2): 279–291.

Middleton, Richard. 1972. Pop Music And The Blues: A Study Of The Relationship And Its Significance. London: Victor Gollancz.

Murko, Matija. 1951. Tragom srbsko-hrvatske narodne epike: Putovanja u godinama 1930–1932. Zagreb: Jugloslavenska akademija nauka i umjetnosti.

Oliver, Paul. 1982. The Blues Songbook. London: Wise Publications.

Patton, Charley. 2001. Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton. Nashville: Revenant Records. CD.

Peyton, Josh »The Reverend«. 2019. Osebna komunikacija z Joshom Peytonom »The Reverend«. 12. 2. (e-pošta).

Ratcliffe, Philip R. 2011. Mississippi John Hurt: His Life, His Times, His Blues. Jackson: University Press Of Mississippi.

Sacré, Robert (ur.). 2018. Charley Patton: Voice Of The Mississippi Delta. Jackson: University Press of Mississippi.

Taft, Michael. 2006. The Blues Lyric Formula. New York: Routledge.

Ulanov, Barry. 1958 (1952). Historija jazza u Americi. Rijeka: Otokar Keršovani.

Wald, Elijah. 2007 (2001). Bijeg iz Delte: Robert Johnson i povijest bluesa. Koprivnica: Šareni Dućan.

Wardlow, Gayle Dean. 1998. Chasin That Devil Music: Searching for the Blues. San Francisco: Miller Freeman Books.

Weissman, Dick. 2005. Blues: The Basics. New York in Oxon: Routledge.

Wynne, Ben. 2014. In Tune: Charley Patton, Jimmie Rodgers, And The Roots of American Music. Baton Rouge: Louisiana State University Press.



DOI: https://doi.org/10.3986/Traditio2019480208

Refbacks

  • There are currently no refbacks.


Copyright (c) 2019 Traditiones

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

SCImago Journal & Country RankSaveSaveSave