Affective Experience of Music: Emotional and Color Perception of Folk and Other Musical Genres

Authors

  • Gregor Strle ZRC SAZU Institute of Ethnomusicology, Novi trg 2, 1000 Ljubljana, Slovenia
  • Matevž Pesek University of Ljubljana, Faculty of Computer and Information Science, Večna pot 113, 1000 Ljubljana, Slovenia
  • Matija Marolt University of Ljubljana, Faculty of Computer and Information Science, Večna pot 113, 1000 Ljubljana, Slovenia

DOI:

https://doi.org/10.3986/Traditio2018470204

Keywords:

emotions, colors, music, music genre, music perception // čustva, barve, glasba, glasbena zvrst, zaznavanje glasbe

Abstract

The article presents an experimental study of the emotional and color perception of music, focusing on folk music in comparison with other musical genres. The analysis showed that some musical emotions are conveyed differently between different genres. Overall, Folk genre had the most balanced distribution of the emotions used in the ratings, along with Pop and Rock. On the other hand, Punk and Metal had over 40% of their ratings represented by only two emotions, liveliness and anger. This is further reflected in the emotioncolor associations. The presented findings point to the genre specificity of musical emotions.

***

Prispevek predstavlja eksperimentalno raziskavo čustvenega in barvnega zaznavanja glasbe, s poudarkom na primerjavi med ljudsko glasbo in drugimi glasbenimi zvrstmi (žanri). Analiza rezultatov je pokazala, da so ob poslušanju glasbe različnih glasbenih zvrsti čustvene zaznave pogosto različne. Najbolj uravnotežena in raznovrstna je porazdelitev čustev pri popu, rocku in ljudski glasbi, najmanj pa pri panku in metalu, pri katerih več kakor 40 % glasbenih primerov prevzemata le dve čustvi, to sta živahnost in jeza. Ugotovitve se izražajo tudi v čustveno-barvnih asociacijah. Rezultati kažejo na žanrsko specifičnost »glasbenih« čustev.

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Published

19.10.2018

How to Cite

Strle, G., Pesek, M., & Marolt, M. (2018). Affective Experience of Music: Emotional and Color Perception of Folk and Other Musical Genres. Traditiones, 47(2), 67–84. https://doi.org/10.3986/Traditio2018470204

Issue

Section

INTERDISCIPLINARNI SPLET HUMANISTIČNIH RAZISKAV / AN INTERDISCIPLINARY MISCELLANEA OF HUMANIST RESEARCH