Disjecta Membra: Ponovni premislek Althusserjeve estetike
DOI:
https://doi.org/10.3986/fv.41.1.01Ključne besede:
estetika, umetnost, ideologija, znanost, marksizem, materializem, slikarstvo, gledališčePovzetek
Pričujoči članek ima sintetičen in kritičen pristop do razpršenih fragmentov umetnostne kritike in estetske teorije v delih Louisa Althusserja. S tem ko te tekste umestiva v Althusserjev širši filozofski in politični projekt, trdiva, da predstavljajo te refleksije neodvisni prispevek k njegovem pomenu in da ponujajo drugačne perspektive na persistentne teoretične probleme. Skupaj poveževa uvide, ki tvorijo jedro althusserjanskega pristopa k estetiki, pokaževa, kako so ti formulirani (v navezavi na delo Pierra Machereya in na prevladujoče kontroverze tistega časa) ter oriševa, kako se njihove formulacije oblikujejo v razmerju do del različnih avtorjev in umetnikov. Poleg tega, da nam pomaga razumeti njegov celotni projekt, trdiva, da predstavlja Althusserjeva estetska teorija pomemben in izviren prispevek k marksistični estetiki. Natančneje, usmeri nas k misli, da moramo estetsko proizvodnjo jemati resno kot prakso z lastno specifičnostjo – takšno, ki ima svoje logike določenosti, ritualov proizvodnje, cirkulacije in potrošnje, takšno, ki določa učinke, ki potrebujejo svojo lastno teoretizacijo.
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